Dr. Gabriel Zuchtriegel
👤 SpeakerAppearances Over Time
Podcast Appearances
Sie würden sagen, dass Penelope, die Frau von Odysseus, 20 Jahre warten musste, bis er zurückkam. Die Siege von Troja und dann 10 Jahre, bis er zurückkam. Und dann beginnt man darüber zu sprechen, über Verheiratungsprobleme oder so weiter.
Sie würden sagen, dass Penelope, die Frau von Odysseus, 20 Jahre warten musste, bis er zurückkam. Die Siege von Troja und dann 10 Jahre, bis er zurückkam. Und dann beginnt man darüber zu sprechen, über Verheiratungsprobleme oder so weiter.
Right. And you have to understand that people didn't have all these books. They had books, but they were scrolls, right? And they copied by hand and so forth. They didn't have, of course, television and newspapers and all that. So there was no public school. There's no place where you could go and someone would tell you the story of our country and how did everything become like it is.
Right. And you have to understand that people didn't have all these books. They had books, but they were scrolls, right? And they copied by hand and so forth. They didn't have, of course, television and newspapers and all that. So there was no public school. There's no place where you could go and someone would tell you the story of our country and how did everything become like it is.
Right. And you have to understand that people didn't have all these books. They had books, but they were scrolls, right? And they copied by hand and so forth. They didn't have, of course, television and newspapers and all that. So there was no public school. There's no place where you could go and someone would tell you the story of our country and how did everything become like it is.
So these images had a great importance for the whole society to imagine, who are we? Where do we come from? They didn't make a big difference between myth and history. So the boundary was somehow fluent. How do we look into the future is really dependent on what's our imaginary history. All these stories, that's literally where people lived their lives.
So these images had a great importance for the whole society to imagine, who are we? Where do we come from? They didn't make a big difference between myth and history. So the boundary was somehow fluent. How do we look into the future is really dependent on what's our imaginary history. All these stories, that's literally where people lived their lives.
So these images had a great importance for the whole society to imagine, who are we? Where do we come from? They didn't make a big difference between myth and history. So the boundary was somehow fluent. How do we look into the future is really dependent on what's our imaginary history. All these stories, that's literally where people lived their lives.
And when Mount Vesuvius erupted, people didn't know. was wirklich los war. Sie hatten keine Geologie, keine Vulkanologie und so weiter. Manche sahen also Giants in der Flucht. and in the ash over Mount Vesuvius and Pliny writes, many prayed to the gods, many others thought there weren't any gods anymore in the world and a new age of eternal darkness had begun.
And when Mount Vesuvius erupted, people didn't know. was wirklich los war. Sie hatten keine Geologie, keine Vulkanologie und so weiter. Manche sahen also Giants in der Flucht. and in the ash over Mount Vesuvius and Pliny writes, many prayed to the gods, many others thought there weren't any gods anymore in the world and a new age of eternal darkness had begun.
And when Mount Vesuvius erupted, people didn't know. was wirklich los war. Sie hatten keine Geologie, keine Vulkanologie und so weiter. Manche sahen also Giants in der Flucht. and in the ash over Mount Vesuvius and Pliny writes, many prayed to the gods, many others thought there weren't any gods anymore in the world and a new age of eternal darkness had begun.
So this is what they take from this world of images and stories and myths. Und dann lebst du damit und beobachtest die Katastrophen der Leben mit diesem Wettbewerb.
So this is what they take from this world of images and stories and myths. Und dann lebst du damit und beobachtest die Katastrophen der Leben mit diesem Wettbewerb.
So this is what they take from this world of images and stories and myths. Und dann lebst du damit und beobachtest die Katastrophen der Leben mit diesem Wettbewerb.
And who was very wealthy, but maybe didn't have such a Das war sehr wichtig, ja.
And who was very wealthy, but maybe didn't have such a Das war sehr wichtig, ja.
And who was very wealthy, but maybe didn't have such a Das war sehr wichtig, ja.
Absolutely. But I think what we see in Pompeii is how this is getting lost. Because it's so... Omnipräsent, that the images started to lose their magic. We tend to look at antiquity and say, well, how was it here? How did people live? But actually it's more than a thousand years. Und so gibt es eine große Entwicklung.
Absolutely. But I think what we see in Pompeii is how this is getting lost. Because it's so... Omnipräsent, that the images started to lose their magic. We tend to look at antiquity and say, well, how was it here? How did people live? But actually it's more than a thousand years. Und so gibt es eine große Entwicklung.
Absolutely. But I think what we see in Pompeii is how this is getting lost. Because it's so... Omnipräsent, that the images started to lose their magic. We tend to look at antiquity and say, well, how was it here? How did people live? But actually it's more than a thousand years. Und so gibt es eine große Entwicklung.