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Dr. Hannah Thuraisingam Robbins

đŸ‘€ Speaker
289 total appearances

Appearances Over Time

Podcast Appearances

You're Dead to Me
Lena Horne: racism and resilience in the Golden Age of Hollywood

Ja minÀ autin kaikkia. Ja olin kommunisti, mutta en ollut. HÀn oli luonut seurauksessa, ennen kuin jokainen nainen voisi valita. HÀnet mentoitiin Billie Holiday ja Dinah Washingtonin kanssa. HÀn mahtoi Washingtonissa, hÀn soitti Michael Jacksonin kanssa ja hÀn elÀi Barack Obamain presidenttiin. MielestÀni se on huomattava elokuvapÀivÀ. Mutta kuten sanoit, hÀn on myös syntynyt rikki ja toivottavasti on iloinen, mikÀ on yllÀttÀvÀÀ. HÀnillÀ oli kaksi isoa, joita hÀn ei ole enÀÀ olemassa, joten luulen, ettÀ hÀn oli melko iloinen.

You're Dead to Me
Lena Horne: racism and resilience in the Golden Age of Hollywood

So Lena Horne relentlessly talked about the loneliness and isolation that she felt at MGM and that it made her seem like she didn't want to be in community with other black performers. She came to believe that she was chosen by movie executives so that they could capitalize on her perceived racial ambiguity. And that made her work and the profile of her success understandably contentious for a really long time. And yet the peaks of her career, and I would say her story more generally, were always in community with other black artists.

You're Dead to Me
Lena Horne: racism and resilience in the Golden Age of Hollywood

Meanwhile, she balanced pouring her fortune into grassroots movements. She got involved in national organizing, and she was essential in helping up-and-coming black performers make choices about their contracts, their working conditions, based on her experience. Lena Horne became a star because she was crowded by support, and whatever storm she was weathering. Unlike many others, she was willing to admit her mistakes and to grow intellectually in public.

You're Dead to Me
Lena Horne: racism and resilience in the Golden Age of Hollywood

Her story shows the appeal of having had a figurehead, but also the limitations of having one person embody such a diverse community of people. And Horne really tried to pay that investment back to others, but while making the most of the platform she was given. I would say her custodianship and her commercial impact paved the way for public acceptance of a lot of black artists, including the megastardom of Diana Ross, who took over from Horne as the world's most photographed black woman.

You're Dead to Me
Lena Horne: racism and resilience in the Golden Age of Hollywood

Her survival and endurance was remarkable, but it was also sometimes messy. She reminds us to embrace the complex stories behind the successes, and that however exceptional and isolated people tried to make her, she relentlessly returned to her people, her values, and to paying her luck forward. Amazing. Thank you so much. That's right. Any final thoughts? That's really incredible. What an amazing woman. I mean, I...

You're Dead to Me
History of Broadway (Radio Edit)

Or travel with us to 1920s New York to meet Celia Cooney, the bobbed-haired bandit, a celebrity armed robber with a plan.

You're Dead to Me
History of Broadway (Radio Edit)

Or travel with us to 1920s New York to meet Celia Cooney, the bobbed-haired bandit, a celebrity armed robber with a plan.

You're Dead to Me
History of Broadway (Radio Edit)

BBC Sounds. Music, radio, podcasts.

You're Dead to Me
History of Broadway (Radio Edit)

BBC Sounds. Music, radio, podcasts.

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