Dr. Peter Weller

I was just thinking.

You know what I mean? Take him out of a toga and put him in Armani.

You know what I mean? Take him out of a toga and put him in Armani.

You know what I mean? Take him out of a toga and put him in Armani.

It's the same deal, man.

It's the same deal, man.

It's the same deal, man.

And somebody says, no, you know what? It can't parallel it.

And somebody says, no, you know what? It can't parallel it.

And somebody says, no, you know what? It can't parallel it.

You have corporatization. You've got corporatization. Yeah. Privatization of everything. Yeah. Privatization of all things. It's more relevant now, right? Absolutely.

You have corporatization. You've got corporatization. Yeah. Privatization of everything. Yeah. Privatization of all things. It's more relevant now, right? Absolutely.

You have corporatization. You've got corporatization. Yeah. Privatization of everything. Yeah. Privatization of all things. It's more relevant now, right? Absolutely.

Way ahead of its time. Ed Neumeier and Mike Miner, you've got to thank them, but then you've got to thank Verhoeven. Listen, it gets me absolutely really weepy, the gratitude that I have for those guys. Because I'm doing the movie, I know it's going to be brilliant because it's Paul Verhoeven. I've seen every one of his movies. I've conned my way into doing that part.

Way ahead of its time. Ed Neumeier and Mike Miner, you've got to thank them, but then you've got to thank Verhoeven. Listen, it gets me absolutely really weepy, the gratitude that I have for those guys. Because I'm doing the movie, I know it's going to be brilliant because it's Paul Verhoeven. I've seen every one of his movies. I've conned my way into doing that part.

Way ahead of its time. Ed Neumeier and Mike Miner, you've got to thank them, but then you've got to thank Verhoeven. Listen, it gets me absolutely really weepy, the gratitude that I have for those guys. Because I'm doing the movie, I know it's going to be brilliant because it's Paul Verhoeven. I've seen every one of his movies. I've conned my way into doing that part.

I've almost begged Verhoeven to just hire me. I never auditioned once for it. I moved around a room. I met him and met him and met him and him and John Davison, and they finally hired me. I had beefs with Verhoeven, you know, on the set. I wasn't quite sure about some of the dialogue. I had beefs with Ed, you know, on the set. And then all of a sudden, it just started to fall into line, man.

I've almost begged Verhoeven to just hire me. I never auditioned once for it. I moved around a room. I met him and met him and met him and him and John Davison, and they finally hired me. I had beefs with Verhoeven, you know, on the set. I wasn't quite sure about some of the dialogue. I had beefs with Ed, you know, on the set. And then all of a sudden, it just started to fall into line, man.

I've almost begged Verhoeven to just hire me. I never auditioned once for it. I moved around a room. I met him and met him and met him and him and John Davison, and they finally hired me. I had beefs with Verhoeven, you know, on the set. I wasn't quite sure about some of the dialogue. I had beefs with Ed, you know, on the set. And then all of a sudden, it just started to fall into line, man.

I worked for six months on that movement and had to throw the whole thing out. I had beefs with Rob Boutin, who designed that beautiful stuff, and Stefan DeBruyne did the makeup. But all in all, when all is said and done, every one of those guys are a genius. From Rob to Stefan to Paul to Mike to that cast. I mean, it doesn't matter if you're talking about Ray Wise or Kurt Wood.