Dr. Peter Weller

I worked for six months on that movement and had to throw the whole thing out. I had beefs with Rob Boutin, who designed that beautiful stuff, and Stefan DeBruyne did the makeup. But all in all, when all is said and done, every one of those guys are a genius. From Rob to Stefan to Paul to Mike to that cast. I mean, it doesn't matter if you're talking about Ray Wise or Kurt Wood.

I worked for six months on that movement and had to throw the whole thing out. I had beefs with Rob Boutin, who designed that beautiful stuff, and Stefan DeBruyne did the makeup. But all in all, when all is said and done, every one of those guys are a genius. From Rob to Stefan to Paul to Mike to that cast. I mean, it doesn't matter if you're talking about Ray Wise or Kurt Wood.

It doesn't matter if you're talking about Ronnie or Dana Hurley, man. With Nancy, who I see frequently, that everything in it is like I look at it. You know, it's a tragedy, really, because Miguel Ferrer died and the guy with the Egyptian and The theater said, we're going to have a special screening of Robocop. Would you introduce it? I said, I'll do it if Ed does it.

It doesn't matter if you're talking about Ronnie or Dana Hurley, man. With Nancy, who I see frequently, that everything in it is like I look at it. You know, it's a tragedy, really, because Miguel Ferrer died and the guy with the Egyptian and The theater said, we're going to have a special screening of Robocop. Would you introduce it? I said, I'll do it if Ed does it.

It doesn't matter if you're talking about Ronnie or Dana Hurley, man. With Nancy, who I see frequently, that everything in it is like I look at it. You know, it's a tragedy, really, because Miguel Ferrer died and the guy with the Egyptian and The theater said, we're going to have a special screening of Robocop. Would you introduce it? I said, I'll do it if Ed does it.

When Miguel passed away, it was about 10 years ago, and Ed said, okay, I'll do it. He said, are you going to watch it? I said, it's a new 4K reconstituted director's cut of it at the... What's the theater across the street from the Egyptian that's part of it? Oh, the... The Arclight. Oh, yeah, yeah, yeah. So at the Arclight, I said, I don't know, man, I don't know. So Ed and I go and we are...

When Miguel passed away, it was about 10 years ago, and Ed said, okay, I'll do it. He said, are you going to watch it? I said, it's a new 4K reconstituted director's cut of it at the... What's the theater across the street from the Egyptian that's part of it? Oh, the... The Arclight. Oh, yeah, yeah, yeah. So at the Arclight, I said, I don't know, man, I don't know. So Ed and I go and we are...

When Miguel passed away, it was about 10 years ago, and Ed said, okay, I'll do it. He said, are you going to watch it? I said, it's a new 4K reconstituted director's cut of it at the... What's the theater across the street from the Egyptian that's part of it? Oh, the... The Arclight. Oh, yeah, yeah, yeah. So at the Arclight, I said, I don't know, man, I don't know. So Ed and I go and we are...

introduce it, and then we sit through it. And then I turned to Anna and said, I can't watch this movie anymore because it's tragic. It is truly tragic in that the reason why Paul says he took it, I can't speak for, Paul's in LA right now, but because of the center scene is when he goes back and dives into his past and he has visions of it. And it's so upsetting.

introduce it, and then we sit through it. And then I turned to Anna and said, I can't watch this movie anymore because it's tragic. It is truly tragic in that the reason why Paul says he took it, I can't speak for, Paul's in LA right now, but because of the center scene is when he goes back and dives into his past and he has visions of it. And it's so upsetting.

introduce it, and then we sit through it. And then I turned to Anna and said, I can't watch this movie anymore because it's tragic. It is truly tragic in that the reason why Paul says he took it, I can't speak for, Paul's in LA right now, but because of the center scene is when he goes back and dives into his past and he has visions of it. And it's so upsetting.

Okay, it's not upsetting when you're, 39 years old and you don't have a family. It's not upsetting when Paul Verhoeven says, you know, the most important thing is that when the dreams and so forth. And I'm thinking, like, why isn't that stuff happening before? You know, Robo, it's you. I know you. Paul McRae's life. And he says, Peter, it's not amnesia. It's not amnesia.

Okay, it's not upsetting when you're, 39 years old and you don't have a family. It's not upsetting when Paul Verhoeven says, you know, the most important thing is that when the dreams and so forth. And I'm thinking, like, why isn't that stuff happening before? You know, Robo, it's you. I know you. Paul McRae's life. And he says, Peter, it's not amnesia. It's not amnesia.

Okay, it's not upsetting when you're, 39 years old and you don't have a family. It's not upsetting when Paul Verhoeven says, you know, the most important thing is that when the dreams and so forth. And I'm thinking, like, why isn't that stuff happening before? You know, Robo, it's you. I know you. Paul McRae's life. And he says, Peter, it's not amnesia. It's not amnesia.

I don't know what the hell he's talking about. It's not amnesia, Peter. It's God. It's a spiritual thing. It's infinite. Paul, what in the fuck are you talking about? And we're in a suite. But it's Paul who studied medieval myth and has a degree in this stuff and Christian myth and Egyptian myth. Don't forget, I'm the dummy.

I don't know what the hell he's talking about. It's not amnesia, Peter. It's God. It's a spiritual thing. It's infinite. Paul, what in the fuck are you talking about? And we're in a suite. But it's Paul who studied medieval myth and has a degree in this stuff and Christian myth and Egyptian myth. Don't forget, I'm the dummy.

I don't know what the hell he's talking about. It's not amnesia, Peter. It's God. It's a spiritual thing. It's infinite. Paul, what in the fuck are you talking about? And we're in a suite. But it's Paul who studied medieval myth and has a degree in this stuff and Christian myth and Egyptian myth. Don't forget, I'm the dummy.

We've been talking about contemporary art, but I ain't seen Johto at this point. I haven't done a dive into all this stuff. Later on, I'm going to talk until Paul's blue in the face. He wants to go home. But then I'm thinking, what is this? He said, Peter, look, look, it's the one thing they can't take.

We've been talking about contemporary art, but I ain't seen Johto at this point. I haven't done a dive into all this stuff. Later on, I'm going to talk until Paul's blue in the face. He wants to go home. But then I'm thinking, what is this? He said, Peter, look, look, it's the one thing they can't take.

We've been talking about contemporary art, but I ain't seen Johto at this point. I haven't done a dive into all this stuff. Later on, I'm going to talk until Paul's blue in the face. He wants to go home. But then I'm thinking, what is this? He said, Peter, look, look, it's the one thing they can't take.