Dr. Peter Weller

And he flips his Versace scarf and says, well, Peter, we cannot talk about art. And walks off, man. And dig, I run after this pretentious... And I say, I say, pretensioso, which means you're pretentious, fuck. And he goes, no, you are pretentious, because you're like most Americans, who can spout off these names. Jackson Pollock, whatever, Larry Rivers, whatever. But you've got no context.

And he flips his Versace scarf and says, well, Peter, we cannot talk about art. And walks off, man. And dig, I run after this pretentious... And I say, I say, pretensioso, which means you're pretentious, fuck. And he goes, no, you are pretentious, because you're like most Americans, who can spout off these names. Jackson Pollock, whatever, Larry Rivers, whatever. But you've got no context.

And he flips his Versace scarf and says, well, Peter, we cannot talk about art. And walks off, man. And dig, I run after this pretentious... And I say, I say, pretensioso, which means you're pretentious, fuck. And he goes, no, you are pretentious, because you're like most Americans, who can spout off these names. Jackson Pollock, whatever, Larry Rivers, whatever. But you've got no context.

Because if you don't go see Giotto in the Capella Scrovegni, which is only 20 yards long, in the very first narrative, by the way, everybody talks about him. Leonardo spricht davon, Michelangelo, Picasso, Rothko. Rothko schreibt einen ganzen Hommage zu dem Mann. Ja. Also, wenn du diesen Mann nicht kennst, hast du keinen Kontext. Ja. Keinen. Und ich fühle mich geschlagen. Ja, du warst.

Because if you don't go see Giotto in the Capella Scrovegni, which is only 20 yards long, in the very first narrative, by the way, everybody talks about him. Leonardo spricht davon, Michelangelo, Picasso, Rothko. Rothko schreibt einen ganzen Hommage zu dem Mann. Ja. Also, wenn du diesen Mann nicht kennst, hast du keinen Kontext. Ja. Keinen. Und ich fühle mich geschlagen. Ja, du warst.

Because if you don't go see Giotto in the Capella Scrovegni, which is only 20 yards long, in the very first narrative, by the way, everybody talks about him. Leonardo spricht davon, Michelangelo, Picasso, Rothko. Rothko schreibt einen ganzen Hommage zu dem Mann. Ja. Also, wenn du diesen Mann nicht kennst, hast du keinen Kontext. Ja. Keinen. Und ich fühle mich geschlagen. Ja, du warst.

Und ich war, ja. Und ich rufe Ali. Ja. Und ich sage, hey Mann, was ist mit Giotto? Sie sagt, ich habe versucht, dich anzunehmen, aber du wolltest nicht zuhören. Du wolltest eine Kontemporärin machen. Es ist das Anniversarium dieser Kirche, die die Frescoes öffnet und herausstellt, welche eine bemerkenswerte Veränderung aller visualen Kunsttipps heute ist. Am 25. März 1305.

Und ich war, ja. Und ich rufe Ali. Ja. Und ich sage, hey Mann, was ist mit Giotto? Sie sagt, ich habe versucht, dich anzunehmen, aber du wolltest nicht zuhören. Du wolltest eine Kontemporärin machen. Es ist das Anniversarium dieser Kirche, die die Frescoes öffnet und herausstellt, welche eine bemerkenswerte Veränderung aller visualen Kunsttipps heute ist. Am 25. März 1305.

Und ich war, ja. Und ich rufe Ali. Ja. Und ich sage, hey Mann, was ist mit Giotto? Sie sagt, ich habe versucht, dich anzunehmen, aber du wolltest nicht zuhören. Du wolltest eine Kontemporärin machen. Es ist das Anniversarium dieser Kirche, die die Frescoes öffnet und herausstellt, welche eine bemerkenswerte Veränderung aller visualen Kunsttipps heute ist. Am 25. März 1305.

Wann hast du da rausgekommen? Oh, yeah. I had that poster. Yeah, and that's Brian. One of my oldest friends. I said, we gotta go, man. We gotta go to this place. It's like a beatnik adventure. It is. So we went to Venice and we took the train and we sat there in the days you could smoke a cigar and sit with a cappuccino. And Brian goes, oh my god, man, ain't seen nothing like it.

Wann hast du da rausgekommen? Oh, yeah. I had that poster. Yeah, and that's Brian. One of my oldest friends. I said, we gotta go, man. We gotta go to this place. It's like a beatnik adventure. It is. So we went to Venice and we took the train and we sat there in the days you could smoke a cigar and sit with a cappuccino. And Brian goes, oh my god, man, ain't seen nothing like it.

Wann hast du da rausgekommen? Oh, yeah. I had that poster. Yeah, and that's Brian. One of my oldest friends. I said, we gotta go, man. We gotta go to this place. It's like a beatnik adventure. It is. So we went to Venice and we took the train and we sat there in the days you could smoke a cigar and sit with a cappuccino. And Brian goes, oh my god, man, ain't seen nothing like it.

So I go every single December 24th now. Yeah, to look, to sit. To sit. Be present. Now you're only allowed 15 minutes because it's all hermetically sealed and restored. So that's Giotto It's called the Arena Chapel in English. So you dig Rothko's Chapel in Houston and you're rapping on Rothko. Rothko's whole square imagery of color comes out of Giotto. No shit. Yeah. Had to come from somewhere.

So I go every single December 24th now. Yeah, to look, to sit. To sit. Be present. Now you're only allowed 15 minutes because it's all hermetically sealed and restored. So that's Giotto It's called the Arena Chapel in English. So you dig Rothko's Chapel in Houston and you're rapping on Rothko. Rothko's whole square imagery of color comes out of Giotto. No shit. Yeah. Had to come from somewhere.

So I go every single December 24th now. Yeah, to look, to sit. To sit. Be present. Now you're only allowed 15 minutes because it's all hermetically sealed and restored. So that's Giotto It's called the Arena Chapel in English. So you dig Rothko's Chapel in Houston and you're rapping on Rothko. Rothko's whole square imagery of color comes out of Giotto. No shit. Yeah. Had to come from somewhere.

It all came. Carlo Carrà, maybe the guy who invented Cubism, comes from Giotto. Picasso.

It all came. Carlo Carrà, maybe the guy who invented Cubism, comes from Giotto. Picasso.

It all came. Carlo Carrà, maybe the guy who invented Cubism, comes from Giotto. Picasso.

It truly is, but you know, it's like what Ernst Gombrich said. You got through that book? What, Story of Art? Yeah. I keep it by my bedside, man. Like a Bible, man. Like, you know, some people read Torah. I read that shit. But I also read Torah, so what the hell. But it's all connective. And I dig what Gombrich said. Gombrich's the man.

It truly is, but you know, it's like what Ernst Gombrich said. You got through that book? What, Story of Art? Yeah. I keep it by my bedside, man. Like a Bible, man. Like, you know, some people read Torah. I read that shit. But I also read Torah, so what the hell. But it's all connective. And I dig what Gombrich said. Gombrich's the man.