Dylan Mulvaney

And so I think a lot of people didn't fully understand what –

I was about like, like, I think I was kind of like abrasive in some of my videos because they're like, oh my gosh, how does this person have so much energy and how are they so animated?

And I'm like, babe, that's like every theater kid that I know.

And, and so I think what's so cool about me going back to Broadway is like, it is coming home.

It's coming back to something that I've had my entire life and that has made me feel so supported.

But this time in my proper gender.

Feeling really liberated and feeling like – even especially I think playing Anne Boleyn is so crazy.

Some of the parallels of like what I went through of being – I'm so happy they don't have beheadings in 2026 right now.

Well, they're virtual in a way.

They're different, yes.

But for both of our sakes, I would say.

And I think that –

It's crazy when you look back at history and some of these women that were defined as, like, deeply problematic or, you know, harlots or whatever it was that they were being labeled.

It so often was a really improper villainization.

Like, Anne Boleyn, now that I've gotten to, like, learn more about her story, it's that she had thoughts and she wanted to, you know, learn—

skills that most women weren't able to have.

She had dreams and desires and wanted to share her opinions and then it got taken and spun into a narrative that was something very different that a lot of people still associate

with her today.

And I've been thinking about like the scarlet letter too, even.

And like, and, and I'm starting to like where I think my controversy on my sleeve in a way too, of like, like with a little bit more pride than I think there was before, because I think in the past few years, there were so many moments of like shame and it felt like people either wanted to,