Ed Helms

More perfect. We'll get there. What would you say to our listeners out there right now, anyone who might be feeling like a little disenchanted or like, what can I do? How can I be part of this process? All of this sounds great, but it's a little out of reach for me and I'm just depressed. Like, what would you say to connect to that person?

Isn't that the state where no politicians had to disclose gifts that they got from lobbyists or citizens?

Isn't that the state where no politicians had to disclose gifts that they got from lobbyists or citizens?

That sounds good. Well, Josh. Some movements are built in the modern era. There you go. You just clone people. Yeah. Thanks so much for coming on, Snafu. I really, really appreciate it. And I think our listeners will, too. Just hearing a lot of your insight and point of view on this stuff. This is a show about history's greatest screw ups.

That sounds good. Well, Josh. Some movements are built in the modern era. There you go. You just clone people. Yeah. Thanks so much for coming on, Snafu. I really, really appreciate it. And I think our listeners will, too. Just hearing a lot of your insight and point of view on this stuff. This is a show about history's greatest screw ups.

And I just want to thank you for trying to make our country a little less screwed up.

And I just want to thank you for trying to make our country a little less screwed up.

So thanks.

So thanks.

Thank you, sir. Snafu is a production of iHeartRadio, Film Nation Entertainment and Pacific Electric Picture Company, in association with Gilded Audio. It's executive produced by me, Ed Helms, Milan Popelka, Mike Falbo, Whitney Donaldson, and Dylan Fagan. Our lead producers are Carl Nellis and Alyssa Martino. Additional production from Stephen Wood, Olivia Canney, and Kelsey Albright.

Thank you, sir. Snafu is a production of iHeartRadio, Film Nation Entertainment and Pacific Electric Picture Company, in association with Gilded Audio. It's executive produced by me, Ed Helms, Milan Popelka, Mike Falbo, Whitney Donaldson, and Dylan Fagan. Our lead producers are Carl Nellis and Alyssa Martino. Additional production from Stephen Wood, Olivia Canney, and Kelsey Albright.

Our story editor is Nikki Stein. Our production assistants are Nevin Kalapalli and Ekemeny Ekpo. Fact-checking by Charles Richter. Our creative executive is Brett Harris. Our associate producer, Tori Smith, edited this episode. Editing, music, and sound design by Ben Chug. Engineering and technical direction by Nick Dooley. Andrew Chug is Gilded Audio's creative director.

Our story editor is Nikki Stein. Our production assistants are Nevin Kalapalli and Ekemeny Ekpo. Fact-checking by Charles Richter. Our creative executive is Brett Harris. Our associate producer, Tori Smith, edited this episode. Editing, music, and sound design by Ben Chug. Engineering and technical direction by Nick Dooley. Andrew Chug is Gilded Audio's creative director.

Our amazing theme music is by Dan Rosato. Special thanks to Allison Cohen, Daniel Welsh, and Ben Ryzak.

Our amazing theme music is by Dan Rosato. Special thanks to Allison Cohen, Daniel Welsh, and Ben Ryzak.

This was all under official government activity. They built a apartment that had a glass mirror where he could sit there and watch. And then they would drug these customers. And he was just sort of taking notes and God knows what else behind this double mirror. And this was all in the name of science.

This was all under official government activity. They built a apartment that had a glass mirror where he could sit there and watch. And then they would drug these customers. And he was just sort of taking notes and God knows what else behind this double mirror. And this was all in the name of science.

That's correct, John. Like countless others from around the globe, I am waiting on line here in Rome. I've just started hour 16. Don't know if I'm going to make it. We're not all going to get there.

That's correct, John. Like countless others from around the globe, I am waiting on line here in Rome. I've just started hour 16. Don't know if I'm going to make it. We're not all going to get there.

It's terrific, John. No problems at all. As you know, the Italians are famous for their organizational skills. They're handling this sudden influx of three million pilgrims like a Fiat handles on the autostrada. So you would mean terribly. It's not good, John. But they have done some things well.