Edward Gibson

I'm definitely angling what I'm saying to who I'm saying, right? It's not like I'm just talking the same way to every single person. And so I am sensitive to my audience. But does that work itself out in the dependency length differences? I don't know. Maybe that's about just the words, that part, you know, which words I select.

I'm definitely angling what I'm saying to who I'm saying, right? It's not like I'm just talking the same way to every single person. And so I am sensitive to my audience. But does that work itself out in the dependency length differences? I don't know. Maybe that's about just the words, that part, you know, which words I select.

Yeah.

Yeah.

Yeah.

We have different senses, I guess. I'm very selfish. Yeah. And you're like, I'm like, I think it's like, it's all about me. I'm like, I'm just doing what's easiest for me. I don't want to, I'm like, I'll, I mean, but I have to, of course, choose the words that I think you're going to know. I'm not going to choose words you don't know.

We have different senses, I guess. I'm very selfish. Yeah. And you're like, I'm like, I think it's like, it's all about me. I'm like, I'm just doing what's easiest for me. I don't want to, I'm like, I'll, I mean, but I have to, of course, choose the words that I think you're going to know. I'm not going to choose words you don't know.

We have different senses, I guess. I'm very selfish. Yeah. And you're like, I'm like, I think it's like, it's all about me. I'm like, I'm just doing what's easiest for me. I don't want to, I'm like, I'll, I mean, but I have to, of course, choose the words that I think you're going to know. I'm not going to choose words you don't know.

In fact, I'm going to fix that when I, you know, so there it's about, but maybe for the syntax, for the combinations, it's just about me. I feel like it's, I don't know though. It's very hard.

In fact, I'm going to fix that when I, you know, so there it's about, but maybe for the syntax, for the combinations, it's just about me. I feel like it's, I don't know though. It's very hard.

In fact, I'm going to fix that when I, you know, so there it's about, but maybe for the syntax, for the combinations, it's just about me. I feel like it's, I don't know though. It's very hard.

It's about the listener. It's a little circular there too then. Okay.

It's about the listener. It's a little circular there too then. Okay.

It's about the listener. It's a little circular there too then. Okay.

Well, let's control for what it is I want to say. I'm saying let's control for the thing, the message. Control for the message.

Well, let's control for what it is I want to say. I'm saying let's control for the thing, the message. Control for the message.

Well, let's control for what it is I want to say. I'm saying let's control for the thing, the message. Control for the message.

That's the goal. Oh, but that's the meaning. So I'm still talking about the form. Just the form of the meaning. How do I frame the form of the meaning is all I'm talking about. You're talking about a harder thing, I think. It's like, how am I trying to change the meaning? Let's keep the meaning constant. Got it. If you keep the meaning constant, how can I phrase whatever it is I need to say?

That's the goal. Oh, but that's the meaning. So I'm still talking about the form. Just the form of the meaning. How do I frame the form of the meaning is all I'm talking about. You're talking about a harder thing, I think. It's like, how am I trying to change the meaning? Let's keep the meaning constant. Got it. If you keep the meaning constant, how can I phrase whatever it is I need to say?

That's the goal. Oh, but that's the meaning. So I'm still talking about the form. Just the form of the meaning. How do I frame the form of the meaning is all I'm talking about. You're talking about a harder thing, I think. It's like, how am I trying to change the meaning? Let's keep the meaning constant. Got it. If you keep the meaning constant, how can I phrase whatever it is I need to say?