Edward Gibson

I've got to pick the right words, and I'm going to pick the order so it's easy for me. That's what I think it's probably like.

I've got to pick the right words, and I'm going to pick the order so it's easy for me. That's what I think it's probably like.

I've got to pick the right words, and I'm going to pick the order so it's easy for me. That's what I think it's probably like.

But look, for any event... There's an unbounded, I don't want to say infinite, but sort of ways that I might communicate that same event. This two dogs entered a room, I can say in many, many different ways. I can say, hey, there's two dogs. They entered the room. Hey, the room was entered by something. The thing that was entered was two dogs.

But look, for any event... There's an unbounded, I don't want to say infinite, but sort of ways that I might communicate that same event. This two dogs entered a room, I can say in many, many different ways. I can say, hey, there's two dogs. They entered the room. Hey, the room was entered by something. The thing that was entered was two dogs.

But look, for any event... There's an unbounded, I don't want to say infinite, but sort of ways that I might communicate that same event. This two dogs entered a room, I can say in many, many different ways. I can say, hey, there's two dogs. They entered the room. Hey, the room was entered by something. The thing that was entered was two dogs.

I mean, it's kind of awkward and weird and stuff, but those are all similar messages, right? with different forms, different ways I might frame. And of course, I use the same words there all the time. I could have referred to the dogs as a Dalmatian and a poodle or something. I could have been more specific or less specific about what they are.

I mean, it's kind of awkward and weird and stuff, but those are all similar messages, right? with different forms, different ways I might frame. And of course, I use the same words there all the time. I could have referred to the dogs as a Dalmatian and a poodle or something. I could have been more specific or less specific about what they are.

I mean, it's kind of awkward and weird and stuff, but those are all similar messages, right? with different forms, different ways I might frame. And of course, I use the same words there all the time. I could have referred to the dogs as a Dalmatian and a poodle or something. I could have been more specific or less specific about what they are.

And I could have said, been more abstract about the number. So I'm trying to keep the meaning, which is this event, And then how am I going to describe that to get that to you? It kind of depends on what you need to know, right? And what I think you need to know. But I'm like, let's get control for all that stuff.

And I could have said, been more abstract about the number. So I'm trying to keep the meaning, which is this event, And then how am I going to describe that to get that to you? It kind of depends on what you need to know, right? And what I think you need to know. But I'm like, let's get control for all that stuff.

And I could have said, been more abstract about the number. So I'm trying to keep the meaning, which is this event, And then how am I going to describe that to get that to you? It kind of depends on what you need to know, right? And what I think you need to know. But I'm like, let's get control for all that stuff.

And I'm just like choosing, but I'm doing something simpler than you're doing, which is just forms.

And I'm just like choosing, but I'm doing something simpler than you're doing, which is just forms.

And I'm just like choosing, but I'm doing something simpler than you're doing, which is just forms.

That might be, yeah. Yeah, that would be changing. Oh, that would be changing the meaning for sure.

That might be, yeah. Yeah, that would be changing. Oh, that would be changing the meaning for sure.

That might be, yeah. Yeah, that would be changing. Oh, that would be changing the meaning for sure.

That's changing the meaning. But say, even if we keep that constant, we can still talk about what's easier or hard for me, right? The listener and the, right? Which phrase structures I use, which combinations, which, you know.

That's changing the meaning. But say, even if we keep that constant, we can still talk about what's easier or hard for me, right? The listener and the, right? Which phrase structures I use, which combinations, which, you know.