Emily Watson

My husband said to me, Emily, you cannot have Lee Morgan playing Sidewinder because it's like asking Mozart to play Happy Birthday.

But we've already had Mozart.

Don't worry about it.

I just love this piece.

And if there is a version of my children that reflects the little girl that I was going to France with Jacques Tati, this is a moment I remember so clearly, driving my kids in the car and listening to this.

And my husband has, he's always been a bringer of music into the house.

And we've always listened to loads of different sorts of music.

And jazz has been a big part of that classical, you know, and then the kids have brought their own things in.

But it's always a big part of our day and family holidays, just taking requests and listening to things.

But I just remember this moment driving in the car and listening to this and the kids suddenly getting the idea of it being the soundtrack.

of the way to see london and people just going about their business and the delight of being in a day when everybody's just you know the joy of small things the banal easy just going about your business walking down the street in london to lee morgan sidewinder just joy

I think she'd be delighted and quite surprised.

I think she wanted to be a writer.

But yeah, no, I think she'd be delighted.

I'd say don't bring your phone.

Don't bring your phone to set?

you know how your what you do relates to the world and it's like a absolute gold dust that stuff and when mobile phones first started appearing there was a time where you got on set and you went oh and people you really respected were just gone I call them the disappeared there's now much more of a culture of don't bring your phone to set and you know people are really realizing that it's an important part and don't get a tattoo because it puts at least 45 minutes on your call in the

Well, I like to think that I'm quite good, but I'm not very good at the lonely of it.

I don't think.

That's going to be the problem, the isolation.