Gary Whitta
๐ค SpeakerAppearances Over Time
Podcast Appearances
I mean, again, if some guy, if it's been shown that it can be done, right, it is, I think, then kind of on you to do it. And Bloodborne is a very popular game, right? People would love this. Oh, yeah. You would breathe a new Lisa life into the game.
This definitely feels like...
This definitely feels like...
I don't understand why you might be a little bit wary around the word skeet right now, Kevin, but fucking hell.
I don't understand why you might be a little bit wary around the word skeet right now, Kevin, but fucking hell.
So, like, they can do an entire online Elden Ring spinoff without him, but they can't... They can't put Bloodborne in 60 frames?
So, like, they can do an entire online Elden Ring spinoff without him, but they can't... They can't put Bloodborne in 60 frames?
I don't know. Oh, yeah. Bloodborne 2. What is the most exciting thing that Miyazaki could announce next? Other than some unknown thing. Exciting in a realistic way or exciting in the dream way?
I don't know. Oh, yeah. Bloodborne 2. What is the most exciting thing that Miyazaki could announce next? Other than some unknown thing. Exciting in a realistic way or exciting in the dream way?
Or something completely new.
Or something completely new.
Well, I was going to say, clearly, I mean, you know, Miyazaki clearly has no issue with sequels, right? Because Demon's Souls and Dark Souls both had several sequels, right?
Well, I was going to say, clearly, I mean, you know, Miyazaki clearly has no issue with sequels, right? Because Demon's Souls and Dark Souls both had several sequels, right?
The commercial case for doing it was undeniable.
The commercial case for doing it was undeniable.
Does that move someone like Miyazaki, though? Do you think? Like, Miyazaki seems very much like his own man, an auteur, an artist. He's primarily concerned with the creative integrity more than the money. That's my sense. I don't know if that's true or not, but that's my feeling, that he would just say, I don't care about that.
Does that move someone like Miyazaki, though? Do you think? Like, Miyazaki seems very much like his own man, an auteur, an artist. He's primarily concerned with the creative integrity more than the money. That's my sense. I don't know if that's true or not, but that's my feeling, that he would just say, I don't care about that.
I'm just going to do what I want to do, and I'm Miyazaki, so you can't tell me what to do.
I'm just going to do what I want to do, and I'm Miyazaki, so you can't tell me what to do.
Right, but like... If they said to him, we really want you to do Elden Ring 2 and here's the financial case for it. Look at these numbers. He's like, yeah, that's great. But I just really, I just have no interest in it. I really don't want to do it. They're not going to say, well, fuck it, you're doing it.