Greazy Will
๐ค SpeakerAppearances Over Time
Podcast Appearances
Time, he puts everything.
This is his magna opus.
This is his...
his thing, right?
He thinks it's the best thing he's ever done.
Massive orchestration, intricate layering, one of the most powerful vocal performances ever recorded.
Spector later described it as the greatest work of his career.
In the United States, it failed miserably.
That's so wild.
It fails horribly.
Now, Spector says, Spector's belief, and a lot of people's belief, I've heard a lot of
opinions on this but the belief is generally it was too white for black audiences and too black for white audiences it was that rare moment of in between it had orchestration but it had Tina but it had Wallace Sound Mud but it had Tina but you know it's like it was so confusing for DJs at the time because you either played race records or you played white records and that was it like it was like where does this fall we don't know Phil Spector is taking this to a logical conclusion
like conclusion, but it just doesn't hit.
It did have success in the United Kingdom.
In the UK, it did chart, but the domestic rejection just devastated him.
For a man who equated control with emotional safety, the failure felt deeply personal.
If he could not guarantee success through perfection, then his entire identity as a producer was suddenly unstable, right?
So this breaks him.