Greazy Will

They were starting to get, sorry, go ahead.

Just because this is, and Spector, and I know what's coming is like, based on just how he treats artists, like the replaceability of them, treating them just like another tool, and hearing a story like this that really drives home just like, no, to get anywhere close to people hearing you on the radio, you have to have been relentless about making this your life, like absolutely unhinged in your dedication to this career.

especially at this time.

Right.

Like, and it's a really good point.

Like I cannot, the dedication cannot be understated.

It's like at this point in order to get a record made, right.

That costs a lot of money, you know, like for the time, you know, it'd be like a hundred or $200 or something like that to record a song at the studio.

Like $200 is like a whole month's paycheck for people.

It's like, it's a crazy amount of money.

Yes, it's a lot of money for a lot of people.

And it's still kind of that way today.

In fact, if you're interested in working with Greasy Will, you can find him at the Grease Factory at Greasy Will.

Anyway, so it's very expensive.

So even to just get something recorded is expensive.

Then you have to get it to a DJ.

You have to get it on the radio because the

only way you will ever sell anything is if it's on the radio so you got to get it on the radio and then it has to build local support and then it has to build regional support and then it has to build you know it's like sometimes this is like a years-long process to get music to be heard so she's hustling she's like relentless and trying to get her stuff out there

Absolutely.

Absolutely.