Greg Fitzsimmons

Yeah. My dad used to drunk drive. Crazy. He crashed a car into a tree and died, and they brought him back to life. She's in the emergency room for weeks.

Yeah, cops have a weakness for drunk women, for sure.

Yeah. What was the one where she goes, don't you want to help out a pretty woman? And he goes, well, if I see one, I'll help her out.

I like the one with the father and the son. They always do these big, crazy physical stunts where they destroy the living room and have a fight and they scream at each other. But it's so real. I bought it the first two times and I was like, oh, no, they're not fighting this often, this hard. They wouldn't still be living together. Right. But it's so funny.

Well, I guess Faces of Death, a lot of those were fake.

Well, how much longer until, like, you know, the AI nudes are so fucking real. Oh, yeah. And now they're making AI nude videos, not just stills.

So it's even better. Look at that.

Well, and also how it's affecting the entertainment business. Like Tyler Perry just was about to build a billion dollar studio in Atlanta. It's because of that. No, and then he saw that and he canceled the plans. He's like, we don't need... physical production any longer.

Yeah, they stand and they get shot in a green screen from like eight different angles for a half an hour and then they own them for life.

So they don't need to shoot new stuff.

No, I remember the first time I got a high-def TV, it threw me. I was like, this looks fake. Everything looks fake. Yeah, everything was too much in my face. And I think Tarantino still shoots on film.

I think his films are all done on film.

I'm sure it's video because the editing is so much easier. When you edit film, you have to convert it and then edit it and then you have to convert it back again. Oof. And so when you, like, I've written on TV shows that were film. And first of all, you can't do as many takes in a row because you have to change the reels on the cameras. Yeah.

So you get to get in, you know, two or three takes and you got to stop down for five minutes and reload. I'm pretty sure news radio is film.

Usually multi-camera is when you're in a studio like Everybody Loves Raymond or something like that. That's usually shot digitally.

Yeah, I was going to shoot my special on film. I actually was talking to Kodak and getting the reels, and it was going to be three times more expensive to shoot it on film. But think about live at the Sunset Strip. It felt like you were in the room. You could smell it and feel it.

Right.

I would love to see that.

I like that fucking suit. Yeah.

That is... And all that shit.