Holly Wainwright

That's okay.

So like a little recap.

Yeah.

So reality TV has always done this, right?

Like the thing that means I cannot watch it is I'll be watching the Kardashians or whatever and it'll be like this happens and then it'll be after the break this is going to happen and then I come back after the break and it's like and this happened and that's going to happen but like they're constantly.

And then it gives you a flashback.

And it's.

constant orienting the audience all the time.

And now drama does it too.

He's crying.

That's interesting.

It's like that plot narrative about Chekhov's gun.

If there's a gun in a show, you know that at some point the gun's going to be used.

And so you're like you've got a clue in your head, but remember there's that gun.

But in this version of that, every five minutes someone has to say, but remember the gun?

Yeah.

And it's because of second screens, right?

Exactly.

Think about the dead bodies at the beginning.

Look, it's sad that you've just brought up books about that because when I was at a writing thing recently, they're saying how that's why.