Jack Sanders

But also levels of them.

The tie also really brings his outfit together. She's right. It's great. The paisley tie is whatever, but he puts on this new tie, and I'm like, look at this guy.

The tie also really brings his outfit together. She's right. It's great. The paisley tie is whatever, but he puts on this new tie, and I'm like, look at this guy.

The tie also really brings his outfit together. She's right. It's great. The paisley tie is whatever, but he puts on this new tie, and I'm like, look at this guy.

There's paparazzi. For some reason, I think because we just watched it in Boston, I was thinking of heat when the tie thing is happening because it's like when Jeremy Piven's like, my daughter gave me the right. He's like, I don't give a shit.

There's paparazzi. For some reason, I think because we just watched it in Boston, I was thinking of heat when the tie thing is happening because it's like when Jeremy Piven's like, my daughter gave me the right. He's like, I don't give a shit.

There's paparazzi. For some reason, I think because we just watched it in Boston, I was thinking of heat when the tie thing is happening because it's like when Jeremy Piven's like, my daughter gave me the right. He's like, I don't give a shit.

What does the old one say?

What does the old one say?

What does the old one say?

Yeah. And it's just another example of him being like kind of overwhelmed by architecture first in Claire's apartment. But he walks into the Guggenheim and he's just like, it's also awesome chase location because of the spiral hallway. Right. In the Guggenheim. So when he goes after Venza.

Yeah. And it's just another example of him being like kind of overwhelmed by architecture first in Claire's apartment. But he walks into the Guggenheim and he's just like, it's also awesome chase location because of the spiral hallway. Right. In the Guggenheim. So when he goes after Venza.

Yeah. And it's just another example of him being like kind of overwhelmed by architecture first in Claire's apartment. But he walks into the Guggenheim and he's just like, it's also awesome chase location because of the spiral hallway. Right. In the Guggenheim. So when he goes after Venza.

Oh, yeah. I love her.

Oh, yeah. I love her.

Oh, yeah. I love her.

So they go to, like, Bemelman's or someplace? Like, they go to a nice bar?

So they go to, like, Bemelman's or someplace? Like, they go to a nice bar?

So they go to, like, Bemelman's or someplace? Like, they go to a nice bar?

The way that they kind of do it, it isn't that they're connecting on like a personality experiential soul level. It's more just like, we're two people who are currently trying to escape our immediate circumstances. And it's very present tense. Like it's not going to work. You're not going to move in with me. We're not going to Europe together, but like right now, right here, it works.