James Mangold
đ€ PersonAppearances Over Time
Podcast Appearances
ein Film von der Grundlage her, ist, dass man eine Entscheidung machen muss, wie verschlĂŒsselt das Ding sein wird mit, sagen wir mal, Plot. Und Westerns sind so... Sie teilen das mit Noir-Filmen und Samurai-Filmen. Ich denke, es gibt eine Art einfaches Universum. Das bedeutet nicht einfach. Ich meine nicht einfach-meinend. Und ich meine nicht einfach thematisch oder charakterweise.
ein Film von der Grundlage her, ist, dass man eine Entscheidung machen muss, wie verschlĂŒsselt das Ding sein wird mit, sagen wir mal, Plot. Und Westerns sind so... Sie teilen das mit Noir-Filmen und Samurai-Filmen. Ich denke, es gibt eine Art einfaches Universum. Das bedeutet nicht einfach. Ich meine nicht einfach-meinend. Und ich meine nicht einfach thematisch oder charakterweise.
ein Film von der Grundlage her, ist, dass man eine Entscheidung machen muss, wie verschlĂŒsselt das Ding sein wird mit, sagen wir mal, Plot. Und Westerns sind so... Sie teilen das mit Noir-Filmen und Samurai-Filmen. Ich denke, es gibt eine Art einfaches Universum. Das bedeutet nicht einfach. Ich meine nicht einfach-meinend. Und ich meine nicht einfach thematisch oder charakterweise.
but just less elaborate plot-wise. And that what happens with the vacuum that's created in a narrative when the story can be told, you know, I'm a struggling rancher and I get the chance for 300 bucks to escort... Ja. Ja. Right and wrong. Self-worth. Self-worth. How much am I willing to sacrifice for the public good? Yeah, yeah. For morality. And is that really it?
but just less elaborate plot-wise. And that what happens with the vacuum that's created in a narrative when the story can be told, you know, I'm a struggling rancher and I get the chance for 300 bucks to escort... Ja. Ja. Right and wrong. Self-worth. Self-worth. How much am I willing to sacrifice for the public good? Yeah, yeah. For morality. And is that really it?
but just less elaborate plot-wise. And that what happens with the vacuum that's created in a narrative when the story can be told, you know, I'm a struggling rancher and I get the chance for 300 bucks to escort... Ja. Ja. Right and wrong. Self-worth. Self-worth. How much am I willing to sacrifice for the public good? Yeah, yeah. For morality. And is that really it?
But the reason I could in 12 seconds or less already have gotten to the themes that, for instance, Christian's character or Van Heflins in the original struggle with is because the story is simple. Yeah. And I don't mean, again, simple dumb. I mean simple like it's not cluttered.
But the reason I could in 12 seconds or less already have gotten to the themes that, for instance, Christian's character or Van Heflins in the original struggle with is because the story is simple. Yeah. And I don't mean, again, simple dumb. I mean simple like it's not cluttered.
But the reason I could in 12 seconds or less already have gotten to the themes that, for instance, Christian's character or Van Heflins in the original struggle with is because the story is simple. Yeah. And I don't mean, again, simple dumb. I mean simple like it's not cluttered.
Ja, ich sehe fast alles komplett unbekannt. Ich sehe, der Western ist ein Prism, durch den ich fĂŒhle, dass es mir hilft, Yeah, those aren't really... Those aren't really it. It's this, because there is, you know, Yojimbo is a Western. There's no six guns. It's usually about a guy.
Ja, ich sehe fast alles komplett unbekannt. Ich sehe, der Western ist ein Prism, durch den ich fĂŒhle, dass es mir hilft, Yeah, those aren't really... Those aren't really it. It's this, because there is, you know, Yojimbo is a Western. There's no six guns. It's usually about a guy.
Ja, ich sehe fast alles komplett unbekannt. Ich sehe, der Western ist ein Prism, durch den ich fĂŒhle, dass es mir hilft, Yeah, those aren't really... Those aren't really it. It's this, because there is, you know, Yojimbo is a Western. There's no six guns. It's usually about a guy.
It's about a guy, but it's also just about actually, usually an incredibly complex existential or philosophical issue this person is faced with, which runs almost counter to the perception of Westerns as kind of shoot them up or surface.
It's about a guy, but it's also just about actually, usually an incredibly complex existential or philosophical issue this person is faced with, which runs almost counter to the perception of Westerns as kind of shoot them up or surface.
It's about a guy, but it's also just about actually, usually an incredibly complex existential or philosophical issue this person is faced with, which runs almost counter to the perception of Westerns as kind of shoot them up or surface.
Well, it's kind of a, it's a very 70s Western in the sense that it's starting to take kind of modern ideas of who am I, what does life mean and drop them into the context of this kind of Aber ich denke, wenn du darĂŒber nachdenkst, dann meine ich, dass Gary Cooper mit What Does Life Mean in High Noon kĂ€mpft. Van Heflin kĂ€mpft mit What Does Life Mean in the original 310 Ayuma.
Well, it's kind of a, it's a very 70s Western in the sense that it's starting to take kind of modern ideas of who am I, what does life mean and drop them into the context of this kind of Aber ich denke, wenn du darĂŒber nachdenkst, dann meine ich, dass Gary Cooper mit What Does Life Mean in High Noon kĂ€mpft. Van Heflin kĂ€mpft mit What Does Life Mean in the original 310 Ayuma.
Well, it's kind of a, it's a very 70s Western in the sense that it's starting to take kind of modern ideas of who am I, what does life mean and drop them into the context of this kind of Aber ich denke, wenn du darĂŒber nachdenkst, dann meine ich, dass Gary Cooper mit What Does Life Mean in High Noon kĂ€mpft. Van Heflin kĂ€mpft mit What Does Life Mean in the original 310 Ayuma.
Und ich hoffe, Christian ist in der Version, die ich gemacht habe. Aber diese Fragen, die Schönheit von What Am I, How Do I Fit In? Part of what makes the Western beautiful is the barren aspect of the landscape. And again, I don't mean just visually, I mean the absence of infrastructure means also the absence of plot complexity that is more spaghetti.
Und ich hoffe, Christian ist in der Version, die ich gemacht habe. Aber diese Fragen, die Schönheit von What Am I, How Do I Fit In? Part of what makes the Western beautiful is the barren aspect of the landscape. And again, I don't mean just visually, I mean the absence of infrastructure means also the absence of plot complexity that is more spaghetti.