James Mangold

Und ich hoffe, Christian ist in der Version, die ich gemacht habe. Aber diese Fragen, die Schönheit von What Am I, How Do I Fit In? Part of what makes the Western beautiful is the barren aspect of the landscape. And again, I don't mean just visually, I mean the absence of infrastructure means also the absence of plot complexity that is more spaghetti.

Ich meine, ich weiß, ich habe einfach geliebt. Ich meine, mein erster Film, Heavy, wurde wirklich von der Arbeit von Yasujiro Ozu beeinflusst, der nie einen Western gemacht hat, aber Charaktere-Storys mit einer Art von... I mean precision or focus on performance, but also on the visual. Meaning that to me there's kind of a world of performance-oriented movies where the machinery of...

Ich meine, ich weiß, ich habe einfach geliebt. Ich meine, mein erster Film, Heavy, wurde wirklich von der Arbeit von Yasujiro Ozu beeinflusst, der nie einen Western gemacht hat, aber Charaktere-Storys mit einer Art von... I mean precision or focus on performance, but also on the visual. Meaning that to me there's kind of a world of performance-oriented movies where the machinery of...

Ich meine, ich weiß, ich habe einfach geliebt. Ich meine, mein erster Film, Heavy, wurde wirklich von der Arbeit von Yasujiro Ozu beeinflusst, der nie einen Western gemacht hat, aber Charaktere-Storys mit einer Art von... I mean precision or focus on performance, but also on the visual. Meaning that to me there's kind of a world of performance-oriented movies where the machinery of...

Ich liebe Filme, Cassavetes. Es gibt Filme wie diese, die einfach sagen, was auch immer passiert, schießt es, folgt es. Das war nie persönlich so. Ja, genau.

Ich liebe Filme, Cassavetes. Es gibt Filme wie diese, die einfach sagen, was auch immer passiert, schießt es, folgt es. Das war nie persönlich so. Ja, genau.

Ich liebe Filme, Cassavetes. Es gibt Filme wie diese, die einfach sagen, was auch immer passiert, schießt es, folgt es. Das war nie persönlich so. Ja, genau.

und dass manchmal, ich denke immer, dass der Trick, den du inszenierst, und ich habe darüber nachgedacht, ich denke sicherlich darüber nach, wenn ich Filme über Musiker mache, und ich kann dir sagen, warum in einem Moment, aber dieser Aspekt, dass man etwas recordiert, das interessant ist, versus die Kamera, die investigiert, frame und in etwas teilnimmt, das ich immer noch hoffe, dass es so ungewöhnlich ist,

und dass manchmal, ich denke immer, dass der Trick, den du inszenierst, und ich habe darüber nachgedacht, ich denke sicherlich darüber nach, wenn ich Filme über Musiker mache, und ich kann dir sagen, warum in einem Moment, aber dieser Aspekt, dass man etwas recordiert, das interessant ist, versus die Kamera, die investigiert, frame und in etwas teilnimmt, das ich immer noch hoffe, dass es so ungewöhnlich ist,

und dass manchmal, ich denke immer, dass der Trick, den du inszenierst, und ich habe darüber nachgedacht, ich denke sicherlich darüber nach, wenn ich Filme über Musiker mache, und ich kann dir sagen, warum in einem Moment, aber dieser Aspekt, dass man etwas recordiert, das interessant ist, versus die Kamera, die investigiert, frame und in etwas teilnimmt, das ich immer noch hoffe, dass es so ungewöhnlich ist,

or improvisational or unpredictable if I were just chasing actors with cameras. But I don't want to chase actors with cameras. I want it also to feel like there's this harmony or this kind of sense that the filmmaker knows what they're doing, but at the same time there's a kind of herd of cats spontaneity to what's going on at the same time.

or improvisational or unpredictable if I were just chasing actors with cameras. But I don't want to chase actors with cameras. I want it also to feel like there's this harmony or this kind of sense that the filmmaker knows what they're doing, but at the same time there's a kind of herd of cats spontaneity to what's going on at the same time.

or improvisational or unpredictable if I were just chasing actors with cameras. But I don't want to chase actors with cameras. I want it also to feel like there's this harmony or this kind of sense that the filmmaker knows what they're doing, but at the same time there's a kind of herd of cats spontaneity to what's going on at the same time.

I think the most tricky thing, when I teach, when I've done Sundance or film schools or whatever, and when I talk to younger directors, the most important thing is, Directing is kind of terrifying, particularly for young directors, because you make a plan, and you might have thought about this plan for years, maybe a decade. You've got this in your head, right?

I think the most tricky thing, when I teach, when I've done Sundance or film schools or whatever, and when I talk to younger directors, the most important thing is, Directing is kind of terrifying, particularly for young directors, because you make a plan, and you might have thought about this plan for years, maybe a decade. You've got this in your head, right?

I think the most tricky thing, when I teach, when I've done Sundance or film schools or whatever, and when I talk to younger directors, the most important thing is, Directing is kind of terrifying, particularly for young directors, because you make a plan, and you might have thought about this plan for years, maybe a decade. You've got this in your head, right?

You've written it, you've rewritten it, you've got notes, you've been told no, you go back, you write it again, you do storyboards, you think, you see a movie, you revise, you have this plan. And you're alone, essentially, with your plan. And then suddenly...

You've written it, you've rewritten it, you've got notes, you've been told no, you go back, you write it again, you do storyboards, you think, you see a movie, you revise, you have this plan. And you're alone, essentially, with your plan. And then suddenly...

You've written it, you've rewritten it, you've got notes, you've been told no, you go back, you write it again, you do storyboards, you think, you see a movie, you revise, you have this plan. And you're alone, essentially, with your plan. And then suddenly...

in prep the chaos begins and then you land on this set and now you have all these collaborators and if you're holding too tight to the plan um Okay. Wow, I saw this whole scene in this building looking this way, but the sun's breaking through the windows on this morning that way, and it's stunning and evocative. But if I do that, my storyboards are out the window. Fear, panic, loathing.