James Mangold

And you've been convinced that it's practical and it's what we should do. But for me it's always being able to identify what the North Star, what is the movie about. Because I find that I've never met a DP or an actor who won't respond to and even make themselves an ally to carrying your largest purpose forward.

And you've been convinced that it's practical and it's what we should do. But for me it's always being able to identify what the North Star, what is the movie about. Because I find that I've never met a DP or an actor who won't respond to and even make themselves an ally to carrying your largest purpose forward.

And you've been convinced that it's practical and it's what we should do. But for me it's always being able to identify what the North Star, what is the movie about. Because I find that I've never met a DP or an actor who won't respond to and even make themselves an ally to carrying your largest purpose forward.

Doesn't feel right. The other thing to do sometimes I do is I actually ask my actor to step off their mark and I try and do what I'm asking them to do. And I suddenly realize, oh, this is awkward. Awkward, yeah. And because you can suddenly sense, why am I having them turn 180 degrees and their drink is on this side and da, da, da.

Doesn't feel right. The other thing to do sometimes I do is I actually ask my actor to step off their mark and I try and do what I'm asking them to do. And I suddenly realize, oh, this is awkward. Awkward, yeah. And because you can suddenly sense, why am I having them turn 180 degrees and their drink is on this side and da, da, da.

Doesn't feel right. The other thing to do sometimes I do is I actually ask my actor to step off their mark and I try and do what I'm asking them to do. And I suddenly realize, oh, this is awkward. Awkward, yeah. And because you can suddenly sense, why am I having them turn 180 degrees and their drink is on this side and da, da, da.

And it's like, who would sit like this when this person is over there? Und du merkst, das ist alles die Arbeit, die ich gemacht habe. But there's another thing that even happens, which is you get on set and you put your sketches into action and you line them up.

And it's like, who would sit like this when this person is over there? Und du merkst, das ist alles die Arbeit, die ich gemacht habe. But there's another thing that even happens, which is you get on set and you put your sketches into action and you line them up.

And it's like, who would sit like this when this person is over there? Und du merkst, das ist alles die Arbeit, die ich gemacht habe. But there's another thing that even happens, which is you get on set and you put your sketches into action and you line them up.

And you actually, if your eyes are open as a photographer or as an eye, that these aren't the best shots for this scene as it exists with these faces in this light. But that part of the reason we cling to this is that there's this kind of... Ich habe es wahrscheinlich vor allem von Hitchcock erschaffen. Es gibt eine Art regnerische Idee, Ja. Ja. entirely as kind of a brain in a jar that talks.

And you actually, if your eyes are open as a photographer or as an eye, that these aren't the best shots for this scene as it exists with these faces in this light. But that part of the reason we cling to this is that there's this kind of... Ich habe es wahrscheinlich vor allem von Hitchcock erschaffen. Es gibt eine Art regnerische Idee, Ja. Ja. entirely as kind of a brain in a jar that talks.

And you actually, if your eyes are open as a photographer or as an eye, that these aren't the best shots for this scene as it exists with these faces in this light. But that part of the reason we cling to this is that there's this kind of... Ich habe es wahrscheinlich vor allem von Hitchcock erschaffen. Es gibt eine Art regnerische Idee, Ja. Ja. entirely as kind of a brain in a jar that talks.

And my main responsibility is to evangelize, you could call it vision, but it's not necessarily every shot exactly like this. It's what is the broader agenda of Um es spezifisch zu machen, habe ich diesen Film 20 Jahre hergestellt mit Joaquin Phoenix und Reese Witherspoon, Johnny Cash.

And my main responsibility is to evangelize, you could call it vision, but it's not necessarily every shot exactly like this. It's what is the broader agenda of Um es spezifisch zu machen, habe ich diesen Film 20 Jahre hergestellt mit Joaquin Phoenix und Reese Witherspoon, Johnny Cash.

And my main responsibility is to evangelize, you could call it vision, but it's not necessarily every shot exactly like this. It's what is the broader agenda of Um es spezifisch zu machen, habe ich diesen Film 20 Jahre hergestellt mit Joaquin Phoenix und Reese Witherspoon, Johnny Cash.

Und was mir so interessant war über ihre Geschichte und besonders seine, war, wie sie die Geschichte primär von zwei Menschen, die verliebt sind, erzählt haben. Aber was für mich so interessant war, spaziell, filmisch, wie auch immer man es beschreiben möchte, war, dass sie auf der Bühne verliebt wurden. Und das ist schon eine Art Kontradiktion. Liebe ist fast definiert von Intimität.

Und was mir so interessant war über ihre Geschichte und besonders seine, war, wie sie die Geschichte primär von zwei Menschen, die verliebt sind, erzählt haben. Aber was für mich so interessant war, spaziell, filmisch, wie auch immer man es beschreiben möchte, war, dass sie auf der Bühne verliebt wurden. Und das ist schon eine Art Kontradiktion. Liebe ist fast definiert von Intimität.

Und was mir so interessant war über ihre Geschichte und besonders seine, war, wie sie die Geschichte primär von zwei Menschen, die verliebt sind, erzählt haben. Aber was für mich so interessant war, spaziell, filmisch, wie auch immer man es beschreiben möchte, war, dass sie auf der Bühne verliebt wurden. Und das ist schon eine Art Kontradiktion. Liebe ist fast definiert von Intimität.

Aber der Stage ist definiert von massiven Ausdrucken. Aber gleichzeitig kennt jeder, der auf einem Stage arbeitet, dass es eine Art Intimität gibt. Verheißen. Ja. Wenn du mit jemandem auf dem Stage bist, hast du eine Art Verbindung mit ihnen, die extrem ist. Und fokussiert. Yes, and that the people in the audience in a way vanish or they're omnipresent as witnesses to this kind of intimacy.

Aber der Stage ist definiert von massiven Ausdrucken. Aber gleichzeitig kennt jeder, der auf einem Stage arbeitet, dass es eine Art Intimität gibt. Verheißen. Ja. Wenn du mit jemandem auf dem Stage bist, hast du eine Art Verbindung mit ihnen, die extrem ist. Und fokussiert. Yes, and that the people in the audience in a way vanish or they're omnipresent as witnesses to this kind of intimacy.