James Mangold

Aber der Stage ist definiert von massiven Ausdrucken. Aber gleichzeitig kennt jeder, der auf einem Stage arbeitet, dass es eine Art Intimität gibt. Verheißen. Ja. Wenn du mit jemandem auf dem Stage bist, hast du eine Art Verbindung mit ihnen, die extrem ist. Und fokussiert. Yes, and that the people in the audience in a way vanish or they're omnipresent as witnesses to this kind of intimacy.

This makes sense, right? Okay, so that became this really interesting place where I go, I haven't seen that in a movie at least. And it's really interesting to me, this aspect of two people, partly because they were married to others and partly because they...

This makes sense, right? Okay, so that became this really interesting place where I go, I haven't seen that in a movie at least. And it's really interesting to me, this aspect of two people, partly because they were married to others and partly because they...

This makes sense, right? Okay, so that became this really interesting place where I go, I haven't seen that in a movie at least. And it's really interesting to me, this aspect of two people, partly because they were married to others and partly because they...

met and kind of vibed on stage, fall in love literally in front of 10,000 people every night and then have to kind of fold up their love relationship and return to their other domestic lives only to return to this relationship. It's like it's for two, three hours a day they connect and that it ultimately in real life ended up with Johnny Cash proposing to zu June Carter auf der Bühne.

met and kind of vibed on stage, fall in love literally in front of 10,000 people every night and then have to kind of fold up their love relationship and return to their other domestic lives only to return to this relationship. It's like it's for two, three hours a day they connect and that it ultimately in real life ended up with Johnny Cash proposing to zu June Carter auf der Bühne.

met and kind of vibed on stage, fall in love literally in front of 10,000 people every night and then have to kind of fold up their love relationship and return to their other domestic lives only to return to this relationship. It's like it's for two, three hours a day they connect and that it ultimately in real life ended up with Johnny Cash proposing to zu June Carter auf der Bühne.

It occurred to me that to try... Because this is how I feel about my job. My job is to somehow photograph this unspoken thing we're just talking about. This kind of contradictory to normal logic. This intimacy that runs contradictory to normal logic. Which is that intimacy means alone. But in this case it's the opposite. It's under the gaze of 10,000. So... but yet intimate.

It occurred to me that to try... Because this is how I feel about my job. My job is to somehow photograph this unspoken thing we're just talking about. This kind of contradictory to normal logic. This intimacy that runs contradictory to normal logic. Which is that intimacy means alone. But in this case it's the opposite. It's under the gaze of 10,000. So... but yet intimate.

It occurred to me that to try... Because this is how I feel about my job. My job is to somehow photograph this unspoken thing we're just talking about. This kind of contradictory to normal logic. This intimacy that runs contradictory to normal logic. Which is that intimacy means alone. But in this case it's the opposite. It's under the gaze of 10,000. So... but yet intimate.

So that becomes a really interesting thing to try to photograph because it's, first of all, triangles, threes, it's always more, one to one is kind of a ping pong match, but the second that audience is involved, the thing becomes Und gefällt. and felt by others, judged by others, or even misperceived or missed.

So that becomes a really interesting thing to try to photograph because it's, first of all, triangles, threes, it's always more, one to one is kind of a ping pong match, but the second that audience is involved, the thing becomes Und gefällt. and felt by others, judged by others, or even misperceived or missed.

So that becomes a really interesting thing to try to photograph because it's, first of all, triangles, threes, it's always more, one to one is kind of a ping pong match, but the second that audience is involved, the thing becomes Und gefällt. and felt by others, judged by others, or even misperceived or missed.

Some of it, you know, a very cinematic thing is something the two people know is going on that none of them know is going on.

Some of it, you know, a very cinematic thing is something the two people know is going on that none of them know is going on.

Some of it, you know, a very cinematic thing is something the two people know is going on that none of them know is going on.

So how do you translate all the things we're talking about right now into a visual plan that isn't necessarily shot to shot like drawn out, but I mean I did bored, but only to kind of try and solve this question for myself. What it occurred to me was that every concert film we ever see

So how do you translate all the things we're talking about right now into a visual plan that isn't necessarily shot to shot like drawn out, but I mean I did bored, but only to kind of try and solve this question for myself. What it occurred to me was that every concert film we ever see

So how do you translate all the things we're talking about right now into a visual plan that isn't necessarily shot to shot like drawn out, but I mean I did bored, but only to kind of try and solve this question for myself. What it occurred to me was that every concert film we ever see

Most of the cameras exist for a variety of logistical and aesthetic reasons in kind of the premium seat, if you will.