Jane Marie

I don't think you're thinking about what you're saying, so can we start that one again? Sure. I want you to think about the words. Okay, okay.

I don't think you're thinking about what you're saying, so can we start that one again? Sure. I want you to think about the words. Okay, okay.

So where do you go from there? You're almost there. But we know you're a funny person, so we have to inject a little bit of that, but keep it flat.

So where do you go from there? You're almost there. But we know you're a funny person, so we have to inject a little bit of that, but keep it flat.

So where do you go from there? You're almost there. But we know you're a funny person, so we have to inject a little bit of that, but keep it flat.

Boom! You're hired. Where's the check? No, I spent 10 years doing that with people.

Boom! You're hired. Where's the check? No, I spent 10 years doing that with people.

Boom! You're hired. Where's the check? No, I spent 10 years doing that with people.

No, that type of journalism is awesome. And that's what I want to do. I want to just be myself without inserting myself in every single part of the story. I also don't want to be navel-gazy all the time. I want to be able to tell personal parts of the story without... And engage people. Yeah, and engage people as a normal person. That's another thing that happens in the audio documentary world.

No, that type of journalism is awesome. And that's what I want to do. I want to just be myself without inserting myself in every single part of the story. I also don't want to be navel-gazy all the time. I want to be able to tell personal parts of the story without... And engage people. Yeah, and engage people as a normal person. That's another thing that happens in the audio documentary world.

No, that type of journalism is awesome. And that's what I want to do. I want to just be myself without inserting myself in every single part of the story. I also don't want to be navel-gazy all the time. I want to be able to tell personal parts of the story without... And engage people. Yeah, and engage people as a normal person. That's another thing that happens in the audio documentary world.

People come in to tell stories and you're just like, I cannot relate to this person at all. Like they...

People come in to tell stories and you're just like, I cannot relate to this person at all. Like they...

People come in to tell stories and you're just like, I cannot relate to this person at all. Like they...

It's not really an NPR approach.

It's not really an NPR approach.

It's not really an NPR approach.

Das ist die erste Saison, die wir gemacht haben.

Das ist die erste Saison, die wir gemacht haben.

Das ist die erste Saison, die wir gemacht haben.