Podcast Appearances
And she uses her powers, which is like ends up being this chroma stuff, the stuff that ends up being currency in the game or whatever, to create Lumiere, which is the world modeled after Paris and repopulates it with painted versions of her family, including the recreated Verso Gustave.
And she uses her powers, which is like ends up being this chroma stuff, the stuff that ends up being currency in the game or whatever, to create Lumiere, which is the world modeled after Paris and repopulates it with painted versions of her family, including the recreated Verso Gustave.
And she uses her powers, which is like ends up being this chroma stuff, the stuff that ends up being currency in the game or whatever, to create Lumiere, which is the world modeled after Paris and repopulates it with painted versions of her family, including the recreated Verso Gustave.
So Renoir, who is disturbed by Aline's obsession and declining health, Renoir, the husband, uh, and you know, he's basically lost his wife at this point. He comes into the canvas as a being called the curator who ends up initially being a helpful entity for you because he like levels up your weapons and helps you in this fight against the painters.
So Renoir, who is disturbed by Aline's obsession and declining health, Renoir, the husband, uh, and you know, he's basically lost his wife at this point. He comes into the canvas as a being called the curator who ends up initially being a helpful entity for you because he like levels up your weapons and helps you in this fight against the painters.
So Renoir, who is disturbed by Aline's obsession and declining health, Renoir, the husband, uh, and you know, he's basically lost his wife at this point. He comes into the canvas as a being called the curator who ends up initially being a helpful entity for you because he like levels up your weapons and helps you in this fight against the painters.
Cause ultimately he wants, he wants his wife back in the real world. determined and to you know and this sort of paintresses influence he creates these entities called the axons who are like uh they are similes of his family so there there are actually four axons one you just don't see on screen but there's four axons one for each member of the family that are there to destroy Lumiere, the city.
Cause ultimately he wants, he wants his wife back in the real world. determined and to you know and this sort of paintresses influence he creates these entities called the axons who are like uh they are similes of his family so there there are actually four axons one you just don't see on screen but there's four axons one for each member of the family that are there to destroy Lumiere, the city.
Cause ultimately he wants, he wants his wife back in the real world. determined and to you know and this sort of paintresses influence he creates these entities called the axons who are like uh they are similes of his family so there there are actually four axons one you just don't see on screen but there's four axons one for each member of the family that are there to destroy Lumiere, the city.
But Aline, the mother, resists, causing this massive event called the Fracture, which splits Lumiere in two and eventually ends up imprisoning Renoir.
But Aline, the mother, resists, causing this massive event called the Fracture, which splits Lumiere in two and eventually ends up imprisoning Renoir.
But Aline, the mother, resists, causing this massive event called the Fracture, which splits Lumiere in two and eventually ends up imprisoning Renoir.
yeah yeah okay i'll cut to the chase so humanity ends up blaming the paintress for all this stuff but in reality what the paintress is like trying to retain the world while renoir is actually trying to destroy the world and um the the the numbers that you see on the monolith where it's like one you know one year at a time is actually her putting all of her
yeah yeah okay i'll cut to the chase so humanity ends up blaming the paintress for all this stuff but in reality what the paintress is like trying to retain the world while renoir is actually trying to destroy the world and um the the the numbers that you see on the monolith where it's like one you know one year at a time is actually her putting all of her
yeah yeah okay i'll cut to the chase so humanity ends up blaming the paintress for all this stuff but in reality what the paintress is like trying to retain the world while renoir is actually trying to destroy the world and um the the the numbers that you see on the monolith where it's like one you know one year at a time is actually her putting all of her
effort into trying to hold off this destruction of the world she's trying to give these people like as much time as humanly possible to get over to their side of the fracture and figure out what's actually going on and stop Renoir we actually find out that Renoir is more or less immortal like you can't really do anything against the guy Wait, so what? Hold on.
effort into trying to hold off this destruction of the world she's trying to give these people like as much time as humanly possible to get over to their side of the fracture and figure out what's actually going on and stop Renoir we actually find out that Renoir is more or less immortal like you can't really do anything against the guy Wait, so what? Hold on.
effort into trying to hold off this destruction of the world she's trying to give these people like as much time as humanly possible to get over to their side of the fracture and figure out what's actually going on and stop Renoir we actually find out that Renoir is more or less immortal like you can't really do anything against the guy Wait, so what? Hold on.
They're like frozen. Yeah. Really? Okay. Painting. Yeah. It's such a cool like scene actually. It's, uh, It's like a prologue actually between act two and act three.
They're like frozen. Yeah. Really? Okay. Painting. Yeah. It's such a cool like scene actually. It's, uh, It's like a prologue actually between act two and act three.