Jason Bateman
👤 SpeakerAppearances Over Time
Podcast Appearances
It's cost so much money to buy those commercials and those billboards that people say, ah, maybe I'll just make it for streaming where I don't need to do all that stuff. It's just production costs. Is, is that one of the big things that
But isn't the price to sell them the same?
But isn't the price to sell them the same?
But isn't the price to sell them the same?
It's getting smaller because there's less stuff being made.
It's getting smaller because there's less stuff being made.
It's getting smaller because there's less stuff being made.
He's got to dine out on that. Thank you. We love it. So, guys, you have... been uniquely great, individually and also together, in really getting behind some of the more specific creative voices behind these movies. People like Paul Thomas Anderson and David Fincher, etc., etc. When you are
He's got to dine out on that. Thank you. We love it. So, guys, you have... been uniquely great, individually and also together, in really getting behind some of the more specific creative voices behind these movies. People like Paul Thomas Anderson and David Fincher, etc., etc. When you are
He's got to dine out on that. Thank you. We love it. So, guys, you have... been uniquely great, individually and also together, in really getting behind some of the more specific creative voices behind these movies. People like Paul Thomas Anderson and David Fincher, etc., etc. When you are
collaborating with someone like that, who they like to keep the edges on and that's what the audience likes too. But sometimes, oftentimes that's at odds with the, um, the goal to get as many people in the tent as possible, buying a ticket and making it mass appeal and sign around the edges sometimes and not be as controversial, not be as challenging.
collaborating with someone like that, who they like to keep the edges on and that's what the audience likes too. But sometimes, oftentimes that's at odds with the, um, the goal to get as many people in the tent as possible, buying a ticket and making it mass appeal and sign around the edges sometimes and not be as controversial, not be as challenging.
collaborating with someone like that, who they like to keep the edges on and that's what the audience likes too. But sometimes, oftentimes that's at odds with the, um, the goal to get as many people in the tent as possible, buying a ticket and making it mass appeal and sign around the edges sometimes and not be as controversial, not be as challenging.
How do you, how do you manage it as a, on the producing side, on the, on the selling side? I, I, it's probably a lot easier, but In your current roles as, you know, trying to bring in profits as well, are those conversations difficult? Do you err on one side or the other? Walk us through that a little bit.