Jason Bateman

How do you, how do you manage it as a, on the producing side, on the, on the selling side? I, I, it's probably a lot easier, but In your current roles as, you know, trying to bring in profits as well, are those conversations difficult? Do you err on one side or the other? Walk us through that a little bit.

How do you, how do you manage it as a, on the producing side, on the, on the selling side? I, I, it's probably a lot easier, but In your current roles as, you know, trying to bring in profits as well, are those conversations difficult? Do you err on one side or the other? Walk us through that a little bit.

Donna, another one from New Line that started out not as an intern, right?

Donna, another one from New Line that started out not as an intern, right?

Donna, another one from New Line that started out not as an intern, right?

I mean, she was just born to do it. And has been in that position of leadership longer than... Anyone? Yeah. Like ever maybe? Through multiple regimes. Running Universal? It's just so incredible.

I mean, she was just born to do it. And has been in that position of leadership longer than... Anyone? Yeah. Like ever maybe? Through multiple regimes. Running Universal? It's just so incredible.

I mean, she was just born to do it. And has been in that position of leadership longer than... Anyone? Yeah. Like ever maybe? Through multiple regimes. Running Universal? It's just so incredible.

And it really does seem like you guys are creating that or continuing that environment of trust and deference to a very specific filmmaker agenda, like something like Sinners, for example, like I have not seen it yet, but from what I've seen from the materials and heard from people, it's a very specific and exciting creative leap.

And it really does seem like you guys are creating that or continuing that environment of trust and deference to a very specific filmmaker agenda, like something like Sinners, for example, like I have not seen it yet, but from what I've seen from the materials and heard from people, it's a very specific and exciting creative leap.

And it really does seem like you guys are creating that or continuing that environment of trust and deference to a very specific filmmaker agenda, like something like Sinners, for example, like I have not seen it yet, but from what I've seen from the materials and heard from people, it's a very specific and exciting creative leap.

Oh, yeah. It's been amazing. We're so happy for Ryan. Selling popcorn and getting incredible reviews. So, like, that's the motherlode right there, right? So, talk about how frightening that can be to – Well, you, as you say, Pam, you're a partner with the filmmaker. You're coming from a place of shared experience and you kind of know what they're going through and blah, blah, blah.

Oh, yeah. It's been amazing. We're so happy for Ryan. Selling popcorn and getting incredible reviews. So, like, that's the motherlode right there, right? So, talk about how frightening that can be to – Well, you, as you say, Pam, you're a partner with the filmmaker. You're coming from a place of shared experience and you kind of know what they're going through and blah, blah, blah.

Oh, yeah. It's been amazing. We're so happy for Ryan. Selling popcorn and getting incredible reviews. So, like, that's the motherlode right there, right? So, talk about how frightening that can be to – Well, you, as you say, Pam, you're a partner with the filmmaker. You're coming from a place of shared experience and you kind of know what they're going through and blah, blah, blah.

But eventually one has to just kind of close your eyes and jump in and just say, all right, Ryan, I get what you're going for here. We're really not going to be able to gauge until we're done. And so we have to trust you.

But eventually one has to just kind of close your eyes and jump in and just say, all right, Ryan, I get what you're going for here. We're really not going to be able to gauge until we're done. And so we have to trust you.

But eventually one has to just kind of close your eyes and jump in and just say, all right, Ryan, I get what you're going for here. We're really not going to be able to gauge until we're done. And so we have to trust you.

We have to wait till after principal photography, get through post, have all that music come in and the color timing and all that stuff to create this very finely cooked meal that it looks like nothing coming out of the grocery store. You look at all the ingredients, like you don't know what you've got till it's cooked. And so you have to give him all of that runway.

We have to wait till after principal photography, get through post, have all that music come in and the color timing and all that stuff to create this very finely cooked meal that it looks like nothing coming out of the grocery store. You look at all the ingredients, like you don't know what you've got till it's cooked. And so you have to give him all of that runway.

We have to wait till after principal photography, get through post, have all that music come in and the color timing and all that stuff to create this very finely cooked meal that it looks like nothing coming out of the grocery store. You look at all the ingredients, like you don't know what you've got till it's cooked. And so you have to give him all of that runway.