Javier Moro

And I think that scene, I especially like that moment in the book, because there is a conflict.

Because she is torn.

The safety of the children on the one hand, and the love of her husband on the other.

¿Qué hace?

Obviamente hace, conociéndolo ahora ya sé lo que hace, ¿no?

No me voy a Miami, me quedo.

Y ya está, y nos quedamos todos.

El monstruo de Ramo Verde.

El terrorista de extrema derecha.

Aquí tenemos al gran terrorista de extrema derecha.

It was about that.

It was about the story of a family.

I didn't want to make a book about Venezuela, even though the action takes place in Venezuela.

I wanted to make a book about human beings who are faced with an extraordinary situation, and how they react, and how it affects humanity.

How, in the face of adversity, the best comes out.

In some cases it's the worst, but in others it's the best, right?

And that's what I'm most interested in, to tell a good story.

It happened in Venezuela, it could have been somewhere else.

But that it happened in Venezuela I also like it because I know it.

But I have to say that for me the priority was to tell a story that the reader couldn't stop reading.