Jess Fisher

But this is a show that's a quote-unquote family show.

And GZM prides itself on not talking down to its audience and trusting that the audience is on the level to totally get it, to understand it.

As the story gets bigger and bigger, the first story is family on an island wants to get off.

Second story is, oops, there's another family.

And the third story is we literally have to save the world.

Was it always part of the plan to make the story bigger and bigger like that and to just trust the audience to hang on tight?

Yeah.

So there's always going to be bigger implications about we got to save the world.

That makes sense.

I do want to call out quickly because I keep talking about story because it's where I'm talking in like the larger scale of the whole show.

The sound design is just wonderful.

And I want you to play eco horror.

Eco horror.

It's so scary.

It's a real eco-horror.

I mean, I actually found when Coral takes over from Marie, for me it was a metaphor about the environment.

I don't know.

About, like, the rage of Mother Nature and then that coming right after.

That was so scary.

But the sound design always just keeps getting better and better.