Jesse Eisenberg

And my dad read it and said, okay, you could take off a semester and do this movie. And the movie was, like, not a hit, but was, like, popular amongst, you know, people who like movies.

And my dad read it and said, okay, you could take off a semester and do this movie. And the movie was, like, not a hit, but was, like, popular amongst, you know, people who like movies.

And my dad read it and said, okay, you could take off a semester and do this movie. And the movie was, like, not a hit, but was, like, popular amongst, you know, people who like movies.

That is the highest of cotton. That is the goal. That is the goal. You know you've made it when you have to transfer.

That is the highest of cotton. That is the goal. That is the goal. You know you've made it when you have to transfer.

That is the highest of cotton. That is the goal. That is the goal. You know you've made it when you have to transfer.

Yes? Exactly. Exactly. And like right after that movie, I got like offered another movie and it was to pay scale. It was like a movie. I don't think it ever got made. It was probably like a – $50,000 budget. But I remember going to my dad and like, I could get jobs, like I could literally just get jobs.

Yes? Exactly. Exactly. And like right after that movie, I got like offered another movie and it was to pay scale. It was like a movie. I don't think it ever got made. It was probably like a – $50,000 budget. But I remember going to my dad and like, I could get jobs, like I could literally just get jobs.

Yes? Exactly. Exactly. And like right after that movie, I got like offered another movie and it was to pay scale. It was like a movie. I don't think it ever got made. It was probably like a – $50,000 budget. But I remember going to my dad and like, I could get jobs, like I could literally just get jobs.

Because before that, you know, I was auditioning for commercials and anything that I could possibly get an audition for and, you know, understudies and plays and stuff like that. So it felt like, oh, I can literally make a career and a possible living from this.

Because before that, you know, I was auditioning for commercials and anything that I could possibly get an audition for and, you know, understudies and plays and stuff like that. So it felt like, oh, I can literally make a career and a possible living from this.

Because before that, you know, I was auditioning for commercials and anything that I could possibly get an audition for and, you know, understudies and plays and stuff like that. So it felt like, oh, I can literally make a career and a possible living from this.

Yeah, actually, no, right before that, I did this movie, Cursed. It was Dimension, and it was Dimension. So it was run by Bob Weinstein, and this guy would, it was crazy. This guy, basically, it was a Wes Craven-directed movie, and Bob Weinstein would just constantly scrap everything we'd done to the point where we shot, it was supposed to be a 55-day shoot. We shot 125 days. Oh, my God.

Yeah, actually, no, right before that, I did this movie, Cursed. It was Dimension, and it was Dimension. So it was run by Bob Weinstein, and this guy would, it was crazy. This guy, basically, it was a Wes Craven-directed movie, and Bob Weinstein would just constantly scrap everything we'd done to the point where we shot, it was supposed to be a 55-day shoot. We shot 125 days. Oh, my God.

Yeah, actually, no, right before that, I did this movie, Cursed. It was Dimension, and it was Dimension. So it was run by Bob Weinstein, and this guy would, it was crazy. This guy, basically, it was a Wes Craven-directed movie, and Bob Weinstein would just constantly scrap everything we'd done to the point where we shot, it was supposed to be a 55-day shoot. We shot 125 days. Oh, my God.

Because this guy, Bob Weinstein, who's not like, you know, a writer, you know, would just decide he wanted to change everything in the script, and it was crazy. It was crazy and fascinating to work with. with that man.

Because this guy, Bob Weinstein, who's not like, you know, a writer, you know, would just decide he wanted to change everything in the script, and it was crazy. It was crazy and fascinating to work with. with that man.

Because this guy, Bob Weinstein, who's not like, you know, a writer, you know, would just decide he wanted to change everything in the script, and it was crazy. It was crazy and fascinating to work with. with that man.

No, I'm kidding. What he's up to. I wanted to turn down the movie and he called me in for a meeting and he's threatened my career and then he said at the end as I was leaving, he said, I know where you live. I said, what? Jesus Christ. And I was like, are you kidding? And he was like, no, no, no. She told me, his casting director. He goes, no, no, no. She told me where you live. Oh, these guys.

No, I'm kidding. What he's up to. I wanted to turn down the movie and he called me in for a meeting and he's threatened my career and then he said at the end as I was leaving, he said, I know where you live. I said, what? Jesus Christ. And I was like, are you kidding? And he was like, no, no, no. She told me, his casting director. He goes, no, no, no. She told me where you live. Oh, these guys.