Jia Tolentino

Right.

Right.

Oh, no, yeah, he's like a diet beer type. You know what I mean? Like he's doing Miller High Life and alternating, you know. And my girls, Chelsea and Chloe are like, yeah, whatever. I'll do this on a Tuesday, you know. It doesn't matter. Chloe and Chelsea's conversation when they're girl talking on the yacht and Chelsea's like, he's like my child. Yeah.

Oh, no, yeah, he's like a diet beer type. You know what I mean? Like he's doing Miller High Life and alternating, you know. And my girls, Chelsea and Chloe are like, yeah, whatever. I'll do this on a Tuesday, you know. It doesn't matter. Chloe and Chelsea's conversation when they're girl talking on the yacht and Chelsea's like, he's like my child. Yeah.

And she's on a yacht and she's going to a full moon party and she's in this beautiful place and all she can do is think about her 50-year-old boyfriend who might be about to murder someone.

And she's on a yacht and she's going to a full moon party and she's in this beautiful place and all she can do is think about her 50-year-old boyfriend who might be about to murder someone.

The foursome at the full moon party, they're not aggressive there. You know, they're kind of feeling out what's going to happen later. They're sitting on the beach beholding the fireworks.

The foursome at the full moon party, they're not aggressive there. You know, they're kind of feeling out what's going to happen later. They're sitting on the beach beholding the fireworks.

Because they're all thinking about existence, kind of, right? It sort of feels like all four of them are in a space of not quite discontentment, but sort of existential transition in a little bit of a way where Chloe is like, I got into this business for like money and constant attention from this man. The relationships run its course. The relationships run its course.

Because they're all thinking about existence, kind of, right? It sort of feels like all four of them are in a space of not quite discontentment, but sort of existential transition in a little bit of a way where Chloe is like, I got into this business for like money and constant attention from this man. The relationships run its course. The relationships run its course.

And Chelsea is wondering if hers has too. Like, why am I just on the hook for this guy? And Lachlan is like, what will become of me? What is the form my power will take? And do I have any? And can I exert it over my brother? And is he right about everything or is he not? And, you know, my sister is about to leave me. And like, what does that mean?

And Chelsea is wondering if hers has too. Like, why am I just on the hook for this guy? And Lachlan is like, what will become of me? What is the form my power will take? And do I have any? And can I exert it over my brother? And is he right about everything or is he not? And, you know, my sister is about to leave me. And like, what does that mean?

And and Saxon is like, I know exactly what the world is. And he takes this drug and he's like, whoa. Yeah.

And and Saxon is like, I know exactly what the world is. And he takes this drug and he's like, whoa. Yeah.

And what the crowd is sort of like lucid heel backpackers that are on month seven. Yes. Yeah, there's a lot of that. Like white people in Tevas.

And what the crowd is sort of like lucid heel backpackers that are on month seven. Yes. Yeah, there's a lot of that. Like white people in Tevas.

And you did it just through the experience rather than through the candies, sweet tarts or whatever Chloe says.

And you did it just through the experience rather than through the candies, sweet tarts or whatever Chloe says.

I adored it. Yes. I adored it for so many reasons. I was thinking back to when we talked to Michelle Monaghan and she was saying Jacqueline is very interested in sort of control but also letting loose. And this was the episode. Like Jacqueline is on an unarticulated journey that's nonetheless extremely clear to the viewer. Right? Like we see her at the club.

I adored it. Yes. I adored it for so many reasons. I was thinking back to when we talked to Michelle Monaghan and she was saying Jacqueline is very interested in sort of control but also letting loose. And this was the episode. Like Jacqueline is on an unarticulated journey that's nonetheless extremely clear to the viewer. Right? Like we see her at the club.