John J. Boziak

So I went to the New York Times and said, I've got it all. I've got the names. David Grush. They don't want to touch it. It's still too scary, too hyperbolic, too weird, too bizarre. I go to sell this to Hollywood to get more money to investigate it. I had nowhere to go. Hollywood's like, I'm going to forget this. Top network officials are going to my agent and a producer that was helping me.

So I went to the New York Times and said, I've got it all. I've got the names. David Grush. They don't want to touch it. It's still too scary, too hyperbolic, too weird, too bizarre. I go to sell this to Hollywood to get more money to investigate it. I had nowhere to go. Hollywood's like, I'm going to forget this. Top network officials are going to my agent and a producer that was helping me.

So I went to the New York Times and said, I've got it all. I've got the names. David Grush. They don't want to touch it. It's still too scary, too hyperbolic, too weird, too bizarre. I go to sell this to Hollywood to get more money to investigate it. I had nowhere to go. Hollywood's like, I'm going to forget this. Top network officials are going to my agent and a producer that was helping me.

Wait a minute. He says the film is real? He thinks he has proof it's real? No. No, no, no, no, no, no. No. Too weird. Too bizarre. I find it funny. One executive said, we want to have our people stay on the channel and watch and get that market share. We don't want to scare the crap out of them so they run down to the basement and hide for three years. Remember that statement.

Wait a minute. He says the film is real? He thinks he has proof it's real? No. No, no, no, no, no, no. No. Too weird. Too bizarre. I find it funny. One executive said, we want to have our people stay on the channel and watch and get that market share. We don't want to scare the crap out of them so they run down to the basement and hide for three years. Remember that statement.

Wait a minute. He says the film is real? He thinks he has proof it's real? No. No, no, no, no, no, no. No. Too weird. Too bizarre. I find it funny. One executive said, we want to have our people stay on the channel and watch and get that market share. We don't want to scare the crap out of them so they run down to the basement and hide for three years. Remember that statement.

This is too bizarre. And he's got proof. He thinks that this alien film is real. Three network executives said, pass, pass. So the producer's like, if I can do anything to help you, I will, but we're just dead in the water. And remember, I was out to find who Victor was, 30 years looking for this Victor, 27 years actually.

This is too bizarre. And he's got proof. He thinks that this alien film is real. Three network executives said, pass, pass. So the producer's like, if I can do anything to help you, I will, but we're just dead in the water. And remember, I was out to find who Victor was, 30 years looking for this Victor, 27 years actually.

This is too bizarre. And he's got proof. He thinks that this alien film is real. Three network executives said, pass, pass. So the producer's like, if I can do anything to help you, I will, but we're just dead in the water. And remember, I was out to find who Victor was, 30 years looking for this Victor, 27 years actually.

And somebody emails me, and by the way, during all this, a college kid figured out the code name of a facility in Bermuda in the 50s and early 60s that housed live extraterrestrials. It's a whole other story. And really interesting what was happening. Somebody emails me and says, hey, hey, hey.

And somebody emails me, and by the way, during all this, a college kid figured out the code name of a facility in Bermuda in the 50s and early 60s that housed live extraterrestrials. It's a whole other story. And really interesting what was happening. Somebody emails me and says, hey, hey, hey.

And somebody emails me, and by the way, during all this, a college kid figured out the code name of a facility in Bermuda in the 50s and early 60s that housed live extraterrestrials. It's a whole other story. And really interesting what was happening. Somebody emails me and says, hey, hey, hey.

victor's darkened face on the documentary in 97 somebody highlighted it lightened it it's on reddit like oh my god i go to reddit and i see victor he looks like the southern wrestler from the 80s arn anderson i don't know if you ever heard of him but i'm like what oh my god i've got a picture Now, I have a sudden moment of brilliance.

victor's darkened face on the documentary in 97 somebody highlighted it lightened it it's on reddit like oh my god i go to reddit and i see victor he looks like the southern wrestler from the 80s arn anderson i don't know if you ever heard of him but i'm like what oh my god i've got a picture Now, I have a sudden moment of brilliance.

victor's darkened face on the documentary in 97 somebody highlighted it lightened it it's on reddit like oh my god i go to reddit and i see victor he looks like the southern wrestler from the 80s arn anderson i don't know if you ever heard of him but i'm like what oh my god i've got a picture Now, I have a sudden moment of brilliance.

Why don't I go to the director of the two Victor documentaries, the one in 97 and the one where he came back? Maybe he'll tell me who Victor's name is. This is great. I can end this. Because if Victor, they told me, Matt, everyone in Hollywood, everyone in the government, find Victor. If you find he's an actor with central casting, it's a hoax.

Why don't I go to the director of the two Victor documentaries, the one in 97 and the one where he came back? Maybe he'll tell me who Victor's name is. This is great. I can end this. Because if Victor, they told me, Matt, everyone in Hollywood, everyone in the government, find Victor. If you find he's an actor with central casting, it's a hoax.

Why don't I go to the director of the two Victor documentaries, the one in 97 and the one where he came back? Maybe he'll tell me who Victor's name is. This is great. I can end this. Because if Victor, they told me, Matt, everyone in Hollywood, everyone in the government, find Victor. If you find he's an actor with central casting, it's a hoax.

If you find this guy has any tentacles with the government, oh, shit. Now we got a whole other investigation. Very, very poignant. So I got the picture. Now I go to the director. He's like, I'm not going to tell you this for free. I don't blame him. I signed a contract with him and pay him. And I'm admitting that. And I paid him. Give me the first name.

If you find this guy has any tentacles with the government, oh, shit. Now we got a whole other investigation. Very, very poignant. So I got the picture. Now I go to the director. He's like, I'm not going to tell you this for free. I don't blame him. I signed a contract with him and pay him. And I'm admitting that. And I paid him. Give me the first name.