John Sweetman

Siobhan Walsh, she loves the show, don't mind her.

It's usually, it's just either of the Siobhan's, you know, but I've gotten kind of more used to it.

I'm not afraid to kind of maybe change one or two things in it if, not about accuracy or anything like that, because the scripts are very well, you know, fact checked and that beforehand, but

Yeah, it's flying and it's nice to be able to, like what I find now is certainly the last several episodes, like that one came out this week, Elaine O'Hara came out today.

Yeah.

Well, I only mentioned that earlier.

Yeah.

Oh, did you?

Yeah.

That one came out today and Catherine Evan last week.

You didn't even know that?

I didn't even know that, no.

Yeah, but like what I'm finding with these ones, I'm as invested in it as maybe listeners are because I'm sitting down and I'll record for a while, maybe take a break after the first act and I'm like, geez, this is really good, like, you know, and I'm finding out things that I didn't know about them.

Are you surprised that the Irish public have such an appetite for stuff like that?

Oh, it's mad, like, I mean, I...

I'm the same.

Like I say, I don't listen to podcasts much, but more often than not, if I'm watching stuff on the telly, it's, you know, documentary true crimes.

Like I'm watching stuff at the moment about, you know, a plane that was shot down or something like that and the investigation into that.

I think it's just people are fascinated with the whole procedure part of it.

They're also, you know, kind of morbidly fascinated with terrible things that people do to each other.