Jordan Klepper

For part two, yes, yes.

I'm sure Melania would take all of the attention she should get.

So, yeah, yeah, think about it.

This movie is, it is harrowing.

But this isn't the movie you started out thinking you were going to make.

Is that right?

So you're essentially, as you're making this film, you're communicating with them when we're watching a lot of this FaceTime with what's going on.

Essentially, they're almost citizen journalists reporting on what's happening inside the prison as you're communicating with them.

Was there, like, how are you navigating that

filmmaker knowing that these are people on the inside who could be in a lot of trouble if they're found to be recording what's going on?

It's remarkable the images you see.

You see people addicted to drugs and the way in which they're treated there.

There's a murder that takes place that they're essentially tracking the entire time.

But specifically, the role of the phone is so important as a witness.

What did you notice what the phone brought to it?

Are they supposed to have phones in there?

So how are they getting these phones?

That's even part of the argument inside as well, right?

A lot of the drugs, there are people trying to kick the drug habit and guards are selling drugs because they're getting more money there.

It's bonkers.