Jorma Taccone

It felt massive and insane. The only other setup we ever did that came close was a roof of the Met life building for just had sex. Yeah. But this was the first time we did it like this. And it was, we couldn't believe it. Our minds were blown.

It felt massive and insane. The only other setup we ever did that came close was a roof of the Met life building for just had sex. Yeah. But this was the first time we did it like this. And it was, we couldn't believe it. Our minds were blown.

It felt massive and insane. The only other setup we ever did that came close was a roof of the Met life building for just had sex. Yeah. But this was the first time we did it like this. And it was, we couldn't believe it. Our minds were blown.

Yeah, yeah, but it's real, but it's comped. It was even in the same shot, the helicopter came. It just came at the wrong timing for it to look like a cool shot. That's not even like a VFX comp. That's just me in Final Cut Pro. It's like a split screen where I'm just grabbing the helicopter from like 20 seconds later and moving it to the time.

Yeah, yeah, but it's real, but it's comped. It was even in the same shot, the helicopter came. It just came at the wrong timing for it to look like a cool shot. That's not even like a VFX comp. That's just me in Final Cut Pro. It's like a split screen where I'm just grabbing the helicopter from like 20 seconds later and moving it to the time.

Yeah, yeah, but it's real, but it's comped. It was even in the same shot, the helicopter came. It just came at the wrong timing for it to look like a cool shot. That's not even like a VFX comp. That's just me in Final Cut Pro. It's like a split screen where I'm just grabbing the helicopter from like 20 seconds later and moving it to the time.

Yeah. One is just untouched and one of them is lightly touched, but it's still the same thing. But yeah, I just changed the timing of it.

Yeah. One is just untouched and one of them is lightly touched, but it's still the same thing. But yeah, I just changed the timing of it.

Yeah. One is just untouched and one of them is lightly touched, but it's still the same thing. But yeah, I just changed the timing of it.

When you did that shot though, Keev, I remember being in edit and it's the closest we've ever been to like being like how Travis Scott's friends all are when he first plays them his songs. Yeah, being like...

When you did that shot though, Keev, I remember being in edit and it's the closest we've ever been to like being like how Travis Scott's friends all are when he first plays them his songs. Yeah, being like...

When you did that shot though, Keev, I remember being in edit and it's the closest we've ever been to like being like how Travis Scott's friends all are when he first plays them his songs. Yeah, being like...

You slid the shot in half of the split screen!

You slid the shot in half of the split screen!

You slid the shot in half of the split screen!

But if you want to jump to that night to what Seth was talking about and what you're talking about, I remember feeling disappointed.

But if you want to jump to that night to what Seth was talking about and what you're talking about, I remember feeling disappointed.

But if you want to jump to that night to what Seth was talking about and what you're talking about, I remember feeling disappointed.

Do you want to talk about the footage situation?

Do you want to talk about the footage situation?