Josh Johnson

And that's pretty much all you need to know.

I don't know if you... Yeah.

Right?

Yeah.

I mean, are you...

Coming at this a different way, because, you know, you are this, like, movie action star, and you're going to Broadway, and I feel like they call on very different skills as an actor.

Right, right, right, right.

So, I mean, what's the transition like for you from one to the other?

Yeah, it's definitely something.

But, no, I feel like there's, you know, maybe, like, a misconception that theater is more intimate than film, as a general statement.

But I've actually found the opposite to be true.

I've found that in film, film is a very intimate space for an actor to play in because oftentimes you're in a close-up.

And so, you know, you play in the micro-expressions and the glances.

I mean, especially this show that I'm on, The Copenhagen Test, is so much about where Alexander's looking at any, you know, at any given time.

And, like, in a theater of, say, 3,000 people, that's just not gonna play as well.

And so you have to make sure that you're projecting so that the back row can hear you and, you know, you're making these choices and these decisions that, like,

are just, they're bigger and they're broader because you need to make sure that you're reaching every single person in the audience.

And so I think just getting into that kind of physicality where you're on a stage, you're not being protected by a camera, you're not being protected by editors, and you're just, you know, your entire person is just kind of out there.

It's a really, it's a really great kind of education for an actor.

Yeah.