Josh Johnson

You did your own stunt, like fantastic, good job.

And then like being Asian though, the barf, the expectation is so, like if I like jumped through the window and then there was like a stunt person that took the last like little bit of it, they'd be like, ah, that wasn't Jackie.

Jackie would have done the whole thing and then broken his arm in seven different places and then been sent to the hospital.

Yeah, that's actually very, very true.

Because I feel like we are all aghast that Tom Cruise is still doing his own stunts.

He might be the only one.

I don't know about a ton of white actors.

Maybe Jason Statham or something.

Yeah, yeah, he's out.

But yeah, I feel like after those two...

No.

Yeah.

Not too many.

No.

And so do you think that there's anything in these experiences that you've had on screen that you're bringing to Broadway, even though you have to make them bigger, even though you don't get the same amount of, like, let's cut, retake that, actually, I think I can do that better and everything?

Like, you know, Broadway's so immediate for the audience.

Is there anything that you think is transferring over really well?

I mean, I think the thing, when you bring it really just down to the craft and you distill a scene to, like, what is its, you know, you hear actors talk a lot about the universal truth.

Like, what is the universal truth of the scene?

No matter how big or how small you play it, if you lose that thread of truth, then you lose the scene.