Josh Johnson

Like, why?

Like, yeah, I mean, like, like as as a writer, why are you working like like I just I found so much of that stuff just so sickening.

And don't get me wrong.

It's like if you are Michael B. Jordan, if you're Ryan Coogler or if you're anybody involved with the creative process of this movie, the success speaks for itself.

You don't actually need their awards like we don't remember.

I don't remember who won Best Picture in 96 and I'm sure it was a good movie, but like we don't remember that thing.

Like the real staying power are the deals that get made and the creative that comes out.

So like to me, I just I just am

am really rooting for them because I think that the only way forward for movies, the only way forward for creatives is to start being able to like double and triple down on your worth and your efforts.

And I think that the model of this one guy green lighting all this stuff and basically deciding the landscape of entertainment is dying.

Yeah.

And especially that's after you factor in like Hollywood accounting.

That's after you factor in fraud.

They'll do fraud and they still don't have money.

And it's like they do have money, but they don't have money.

They have to look like they don't have money, but they have all the money.

So it's still technically printing money.

It's just printing money for three people now.

Yes.

Yes.