Julianne Moore
๐ค SpeakerAppearances Over Time
Podcast Appearances
It was instinct, I think, when I first read it. But I also thought, this is a person who's not comfortable in her body. So she can barely make contact with her own throat, her own vocal cords. She doesn't want to make any sound. She doesn't even have... Like, she talks about her son. It's like, her son. It's her stepson. She doesn't have a... She doesn't like to take up a lot of space.
It was instinct, I think, when I first read it. But I also thought, this is a person who's not comfortable in her body. So she can barely make contact with her own throat, her own vocal cords. She doesn't want to make any sound. She doesn't even have... Like, she talks about her son. It's like, her son. It's her stepson. She doesn't have a... She doesn't like to take up a lot of space.
It was instinct, I think, when I first read it. But I also thought, this is a person who's not comfortable in her body. So she can barely make contact with her own throat, her own vocal cords. She doesn't want to make any sound. She doesn't even have... Like, she talks about her son. It's like, her son. It's her stepson. She doesn't have a... She doesn't like to take up a lot of space.
She wants to be attractive and offensive and doesn't want to offer herself. Like, she's like... He's like, we want to hear from you. And she's like... You know, she's been completely defined by the world that she lives in, by consumerism, capitalism, by her marriage. She's not working. She's kind of absorbed. You know, she spends her time on a fruit diet and at aerobics.
She wants to be attractive and offensive and doesn't want to offer herself. Like, she's like... He's like, we want to hear from you. And she's like... You know, she's been completely defined by the world that she lives in, by consumerism, capitalism, by her marriage. She's not working. She's kind of absorbed. You know, she spends her time on a fruit diet and at aerobics.
She wants to be attractive and offensive and doesn't want to offer herself. Like, she's like... He's like, we want to hear from you. And she's like... You know, she's been completely defined by the world that she lives in, by consumerism, capitalism, by her marriage. She's not working. She's kind of absorbed. You know, she spends her time on a fruit diet and at aerobics.
Um, and buying her couch and then suddenly, suddenly she feels terribly ill. Like the, you know, the fabric on the couch makes her feel sick. She starts to have a, she has like a seizure at the dry cleaner and she doesn't, she's confused. She's like, so everything that tells her who she is makes her sick. Um, and she doesn't know why. Hmm.
Um, and buying her couch and then suddenly, suddenly she feels terribly ill. Like the, you know, the fabric on the couch makes her feel sick. She starts to have a, she has like a seizure at the dry cleaner and she doesn't, she's confused. She's like, so everything that tells her who she is makes her sick. Um, and she doesn't know why. Hmm.
Um, and buying her couch and then suddenly, suddenly she feels terribly ill. Like the, you know, the fabric on the couch makes her feel sick. She starts to have a, she has like a seizure at the dry cleaner and she doesn't, she's confused. She's like, so everything that tells her who she is makes her sick. Um, and she doesn't know why. Hmm.
That choice about sort of where her voice lies reminds me a little bit of in May, December, your most recent Todd Haynes film, where you had a lisp. That kind of like, it kind of, did it come and go a little bit? Like I noticed at certain moments more than others.
That choice about sort of where her voice lies reminds me a little bit of in May, December, your most recent Todd Haynes film, where you had a lisp. That kind of like, it kind of, did it come and go a little bit? Like I noticed at certain moments more than others.
That choice about sort of where her voice lies reminds me a little bit of in May, December, your most recent Todd Haynes film, where you had a lisp. That kind of like, it kind of, did it come and go a little bit? Like I noticed at certain moments more than others.
We were very specific about it because people only lisp on certain sounds. And so there are sounds where the lisp will be more pronounced. But Todd and I talked about that. And what I wanted with the lisp is that, you know, a lisp is often a characteristic of childhood, right? Because it can be like a tongue that's not quite developed yet.
We were very specific about it because people only lisp on certain sounds. And so there are sounds where the lisp will be more pronounced. But Todd and I talked about that. And what I wanted with the lisp is that, you know, a lisp is often a characteristic of childhood, right? Because it can be like a tongue that's not quite developed yet.
We were very specific about it because people only lisp on certain sounds. And so there are sounds where the lisp will be more pronounced. But Todd and I talked about that. And what I wanted with the lisp is that, you know, a lisp is often a characteristic of childhood, right? Because it can be like a tongue that's not quite developed yet.
Now, obviously, when people have actual speech issues, there could be a lot happening that's not addressed. But with this particular character, I wanted it to be a signifier of how she thought of herself. This is a person who thinks of herself as a child and thinks of herself as a princess. She's not the queen. She's still a little girl. She's still the princess. He's the prince who rescued her.
Now, obviously, when people have actual speech issues, there could be a lot happening that's not addressed. But with this particular character, I wanted it to be a signifier of how she thought of herself. This is a person who thinks of herself as a child and thinks of herself as a princess. She's not the queen. She's still a little girl. She's still the princess. He's the prince who rescued her.
Now, obviously, when people have actual speech issues, there could be a lot happening that's not addressed. But with this particular character, I wanted it to be a signifier of how she thought of herself. This is a person who thinks of herself as a child and thinks of herself as a princess. She's not the queen. She's still a little girl. She's still the princess. He's the prince who rescued her.
In order for him to rescue her, she has to be the princess. so this was like another manifestation of the way she felt in the world and what she was projecting you know in the world so Todd and I talked about it and we talked about the specificity of the the lisp too it made sure it was always really really specific um
In order for him to rescue her, she has to be the princess. so this was like another manifestation of the way she felt in the world and what she was projecting you know in the world so Todd and I talked about it and we talked about the specificity of the the lisp too it made sure it was always really really specific um