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Julianne Moore

๐Ÿ‘ค Speaker
248 total appearances

Appearances Over Time

Podcast Appearances

The New Yorker Radio Hour
Julianne Moore Explains What She Needs in a Film Director

In order for him to rescue her, she has to be the princess. so this was like another manifestation of the way she felt in the world and what she was projecting you know in the world so Todd and I talked about it and we talked about the specificity of the the lisp too it made sure it was always really really specific um

The New Yorker Radio Hour
Julianne Moore Explains What She Needs in a Film Director

It's interesting to see that clip where she stumbles over the word housewife because you've played a lot of great housewives. Of course, I remember the year when you were nominated for two Oscars for playing two different unhappy 1950s housewives in The Hours and Far From Heaven.

The New Yorker Radio Hour
Julianne Moore Explains What She Needs in a Film Director

It's interesting to see that clip where she stumbles over the word housewife because you've played a lot of great housewives. Of course, I remember the year when you were nominated for two Oscars for playing two different unhappy 1950s housewives in The Hours and Far From Heaven.

The New Yorker Radio Hour
Julianne Moore Explains What She Needs in a Film Director

It's interesting to see that clip where she stumbles over the word housewife because you've played a lot of great housewives. Of course, I remember the year when you were nominated for two Oscars for playing two different unhappy 1950s housewives in The Hours and Far From Heaven.

The New Yorker Radio Hour
Julianne Moore Explains What She Needs in a Film Director

Is that like a fluke playing people who are sort of stuck in the domestic realm or is it something that you sought out that you are interested in for a particular reason?

The New Yorker Radio Hour
Julianne Moore Explains What She Needs in a Film Director

Is that like a fluke playing people who are sort of stuck in the domestic realm or is it something that you sought out that you are interested in for a particular reason?

The New Yorker Radio Hour
Julianne Moore Explains What She Needs in a Film Director

Is that like a fluke playing people who are sort of stuck in the domestic realm or is it something that you sought out that you are interested in for a particular reason?

The New Yorker Radio Hour
Julianne Moore Explains What She Needs in a Film Director

I think that was a fluke. And that year in particular was frustrating to me because those parts were so different.

The New Yorker Radio Hour
Julianne Moore Explains What She Needs in a Film Director

I think that was a fluke. And that year in particular was frustrating to me because those parts were so different.

The New Yorker Radio Hour
Julianne Moore Explains What She Needs in a Film Director

I think that was a fluke. And that year in particular was frustrating to me because those parts were so different.

The New Yorker Radio Hour
Julianne Moore Explains What She Needs in a Film Director

Oh, absolutely.

The New Yorker Radio Hour
Julianne Moore Explains What She Needs in a Film Director

Oh, absolutely.

The New Yorker Radio Hour
Julianne Moore Explains What She Needs in a Film Director

Oh, absolutely.

The New Yorker Radio Hour
Julianne Moore Explains What She Needs in a Film Director

I mean, you know, I don't know that I seek out things in the domestic space, but I do think I'm really drawn to ordinary lives. I'm like people. I've never been like, I'm going to play an astronaut next. You know, I don't think that way. I always think, what is this?

The New Yorker Radio Hour
Julianne Moore Explains What She Needs in a Film Director

I mean, you know, I don't know that I seek out things in the domestic space, but I do think I'm really drawn to ordinary lives. I'm like people. I've never been like, I'm going to play an astronaut next. You know, I don't think that way. I always think, what is this?

The New Yorker Radio Hour
Julianne Moore Explains What She Needs in a Film Director

I mean, you know, I don't know that I seek out things in the domestic space, but I do think I'm really drawn to ordinary lives. I'm like people. I've never been like, I'm going to play an astronaut next. You know, I don't think that way. I always think, what is this?

The New Yorker Radio Hour
Julianne Moore Explains What She Needs in a Film Director

emotional dilemma who you know why is this compelling to us like i always think that thing in the new york times you know my sunday morning and we all read it avidly like oh she gets up at 8 30 and then she has like one cup of coffee and then a banana and then she goes for a run And I read it all the time and I'm like, why do I care about the banana?

The New Yorker Radio Hour
Julianne Moore Explains What She Needs in a Film Director

emotional dilemma who you know why is this compelling to us like i always think that thing in the new york times you know my sunday morning and we all read it avidly like oh she gets up at 8 30 and then she has like one cup of coffee and then a banana and then she goes for a run And I read it all the time and I'm like, why do I care about the banana?

The New Yorker Radio Hour
Julianne Moore Explains What She Needs in a Film Director

emotional dilemma who you know why is this compelling to us like i always think that thing in the new york times you know my sunday morning and we all read it avidly like oh she gets up at 8 30 and then she has like one cup of coffee and then a banana and then she goes for a run And I read it all the time and I'm like, why do I care about the banana?

The New Yorker Radio Hour
Julianne Moore Explains What She Needs in a Film Director

And I care because she's a human being like me and I'm really interested in how she approaches her life and what she does and what she thinks and all of these things hopefully give me a deeper understanding of what it is to be a human being. And so the stories, a lot of these stories, domestic stories, well, that's the biggest story of our lives, right? Mm-hmm. How do we live? Who do we love?