Justin Chang

The director Ridley Scott has reunited with some of his key collaborators from that first film, including the actor Connie Nielsen, making a regal return as Lucilla, daughter of Marcus Aurelius. Most of the cast, however, is new.

The director Ridley Scott has reunited with some of his key collaborators from that first film, including the actor Connie Nielsen, making a regal return as Lucilla, daughter of Marcus Aurelius. Most of the cast, however, is new.

The director Ridley Scott has reunited with some of his key collaborators from that first film, including the actor Connie Nielsen, making a regal return as Lucilla, daughter of Marcus Aurelius. Most of the cast, however, is new.

Pedro Pascal plays a formidable general, with whom Lucius has a score to settle, while Joseph Quinn and Fred Heshinger romp up a storm as a pair of twin-brother tyrants who are driving Rome to ruin. And Denzel Washington, unsurprisingly, gets the juiciest role as Macrinus, a sly and somewhat inscrutable slave owner who sends Lucius into the arena.

Pedro Pascal plays a formidable general, with whom Lucius has a score to settle, while Joseph Quinn and Fred Heshinger romp up a storm as a pair of twin-brother tyrants who are driving Rome to ruin. And Denzel Washington, unsurprisingly, gets the juiciest role as Macrinus, a sly and somewhat inscrutable slave owner who sends Lucius into the arena.

Pedro Pascal plays a formidable general, with whom Lucius has a score to settle, while Joseph Quinn and Fred Heshinger romp up a storm as a pair of twin-brother tyrants who are driving Rome to ruin. And Denzel Washington, unsurprisingly, gets the juiciest role as Macrinus, a sly and somewhat inscrutable slave owner who sends Lucius into the arena.

It's fun to watch Washington go over the top, but his scene-stealing is typical of Gladiator 2 as a whole. It's a lot of flash to very little purpose. Meskel, best known for his sensitive, melancholy work in the series Normal People and films like Aftersun, gives an intensely physical performance, but his Lucius never lays claim to your sympathies as commandingly as Maximus did.

It's fun to watch Washington go over the top, but his scene-stealing is typical of Gladiator 2 as a whole. It's a lot of flash to very little purpose. Meskel, best known for his sensitive, melancholy work in the series Normal People and films like Aftersun, gives an intensely physical performance, but his Lucius never lays claim to your sympathies as commandingly as Maximus did.

It's fun to watch Washington go over the top, but his scene-stealing is typical of Gladiator 2 as a whole. It's a lot of flash to very little purpose. Meskel, best known for his sensitive, melancholy work in the series Normal People and films like Aftersun, gives an intensely physical performance, but his Lucius never lays claim to your sympathies as commandingly as Maximus did.

And when the characters start talking laboriously about the downfall of Rome and the hope of a glorious rebirth, the movie rapidly loses steam. It's like watching an extended WWE SmackDown suddenly interrupted by a civics lesson. Still, the SmackDown itself is pretty satisfying.

And when the characters start talking laboriously about the downfall of Rome and the hope of a glorious rebirth, the movie rapidly loses steam. It's like watching an extended WWE SmackDown suddenly interrupted by a civics lesson. Still, the SmackDown itself is pretty satisfying.

And when the characters start talking laboriously about the downfall of Rome and the hope of a glorious rebirth, the movie rapidly loses steam. It's like watching an extended WWE SmackDown suddenly interrupted by a civics lesson. Still, the SmackDown itself is pretty satisfying.

In Gladiator 2's wildest action sequence, the Coliseum Arena becomes a giant saltwater tank, complete with dueling warships and bloodthirsty sharks. It's an utterly outlandish spectacle, but Ridley Scott, who's now 86, doesn't sweat the logistics. The first Gladiator asked, are you not entertained? And in these moments, at least, we are.

In Gladiator 2's wildest action sequence, the Coliseum Arena becomes a giant saltwater tank, complete with dueling warships and bloodthirsty sharks. It's an utterly outlandish spectacle, but Ridley Scott, who's now 86, doesn't sweat the logistics. The first Gladiator asked, are you not entertained? And in these moments, at least, we are.

In Gladiator 2's wildest action sequence, the Coliseum Arena becomes a giant saltwater tank, complete with dueling warships and bloodthirsty sharks. It's an utterly outlandish spectacle, but Ridley Scott, who's now 86, doesn't sweat the logistics. The first Gladiator asked, are you not entertained? And in these moments, at least, we are.

I'll help you be popular. You'll hang with the right cohort. You'll be good at sports. Know the slang. You've got to know. So let's start. Cause you've got an awfully long way to go. Don't be offended.

I'll help you be popular. You'll hang with the right cohort. You'll be good at sports. Know the slang. You've got to know. So let's start. Cause you've got an awfully long way to go. Don't be offended.

I'll help you be popular. You'll hang with the right cohort. You'll be good at sports. Know the slang. You've got to know. So let's start. Cause you've got an awfully long way to go. Don't be offended.

From Empire of the Sun to Au Revoir les Enfants, there's been no shortage of films that show us World War II through the eyes of a child. Youthful innocence can magnify the horrors of war, as it does in shattering dramas like Come and See or the animated Grave of the Fireflies. But then there's Hope and Glory, John Borman's 1987 portrait of his boyhood years during the Blitz.

From Empire of the Sun to Au Revoir les Enfants, there's been no shortage of films that show us World War II through the eyes of a child. Youthful innocence can magnify the horrors of war, as it does in shattering dramas like Come and See or the animated Grave of the Fireflies. But then there's Hope and Glory, John Borman's 1987 portrait of his boyhood years during the Blitz.