Justin LaBar

There's no need for extra bodies sometimes.

It's whatever you can do on TV.

And so now...

we're looking at the creative.

Okay.

Where's the creative going with solo?

And, you know, we saw solo with Tala this past Friday and, and, and Jacob and, you know, we'll get into all that later.

I'm sure.

But, you know, it starts looking at, it's like you start looking at a business decision and it's like, all right, you know, Tonga who I know when, when, when Tama Tonga came and Tonga Loa came, Tama was going to do more work.

Tonga Loa, I believe had some more injuries.

He had some more.

So he wasn't going to be relied upon as much physically, you know, Tonga Loa is going to be, I'm looking here.

He's gonna be 43 in a couple of days.

Jeff Cobb, JC Mateo, he's going to be 44 later in the summer.

When you've got guys that are in their mid-40s and they're essentially just secondary background players to fill out the image of Solo needs a stable, so we need guys standing behind him.

But if we're moving away from that creative and there's been no audience connection or reliability to JC Mateo or Tonga Loa, again, not saying it's their fault, they just didn't get the opportunity to have that connection and an expense has got to be made.

I'll have to show you the chart that I found that shows the revenue year by year for WWE since basically since the start of WrestleMania to now.

It's crazy.

Yeah, I mean, if this is 10 or 15 years ago and WB has two or even three different touring house shows at a time, yeah, a group like the MFTs, this is great.

You could split them up.