Kane Parsons

There can be...

things do happen here um but then the longer we go without something happening and then when we sort of like are able to to subvert that sort of i think it you know kind of breaks that language a little bit uh and you know leaves us kind of brings the tempo way down for like a long period before it very subtly you get like a silent jump scare just like a shadow moves um

And you get a slightly different kind of release.

So I don't have it in academic terms.

There's actually something I think I rely more on intuition for than anything else.

I'm sure what I'm planning on doing this summer is watching a whole lot of stuff and trying to do just that because it's been about two years working on this film.

Yeah.

That's a lot of time for someone who still has a developing brain and wants to be trying to feed it more stuff.

And during that whole time, I haven't really been able to consume anything.

So I am dying to actually get a better academic handle on this stuff.

fight for those kinds of moments in the film or to allow for that we did um it wasn't like vicious fights they're they're very manageable but there are certainly conversations i guess i can say um i think i i would say that like that stuff mostly comes from the same place where i derive pretty much all of my excitement for projects which is this is cliche and this is cheesy and this is technically where all of art is sourced from because there's nowhere else to source art from but just you know

non-fiction the real world my life um i think i never had a moment growing up where i went to the theater and you know suddenly fell in love with movies because i was at the theater and and it was so profound and beautiful and it really got to me um i think if anything i've sort of you know i i i like to think of a better i have a better way of looking at it now but like when i was younger i had like admittedly kind of like a pretentious view of it which was like

I don't really want to be making films about my perception of reality as prescribed by someone else making a film.

It feels like you're diluting reality further and further if your inspirations are only non-fiction.

I was just like, I don't really want to do that.

I want to experience as much of life as possible.

If I were to have a dream career, it would be

equal parts trying to just see as much of life as possible and trying to actually like meet people and talk to people from different, like as many different walks of life as possible and, and just have lived experience that I can actually draw from personally on a personal level coded with my own life experience and emotion and tonality.

And then, you know, I mean, that's a sprawling, that's the entirety of life like that, that accounts for everything.

Um,