Kane Parsons

I feel good with the work that was done there.

Yeah, I try not to verbalize exactly what it should be, though.

I'm probably going to keep up doing it this way.

But yeah, I mean, I think...

i i think there's a lot that people can look at and i like to when i work and i've been doing this for years now in back rooms and any other projects i i kind of don't do anything else so i think a lot of it kind of comes from like a very forced sort of

just drowning in a mindset or a set of ideas that just become, I guess it's just like the way subconsciously a culture can sort of encode so much, just the way information is transmitted and the way it's framed in little ways that sometimes you're not even aware of.

I think most of those thematic choices, I'm kind of trusting my subconscious to do a lot of that work after I've kind of fed it so much stuff for so long.

And that kind of has seemed to be the case so far.

think i mean i've never like uh looked at it from a technical or clinical standpoint um i think mostly through osmosis i haven't watched a lot of horror movies i think um it also can't be understated the the role in which that that greg our editor had on the project like i wish people talked about greg more because he's a wizard and he did you know speak about it was lovely working with him for so long um uh you know and and i think that like

I think there's a few places in the film where you're right.

There's definitely a reliance on the sort of, you know, build-up release of a... I don't want to say jump scare.

I don't... Personally, I don't think anyone is too sentimental about jump scares.

So I don't think I need to run the risk of sounding like a jump scare supporter.

But there's certainly a few moments where we startle the viewer.

I think...

I'm willing to live with those.

I think I stand by them to like a 90% degree.

And I would say that like...

I think those are just... We're wanting to set a very specific cadence where we are showing that we can bring up the tension.

We can bring up the sudden surge of noise or adrenaline or whatever we're looking for.