Kane Parsons

And they even like on the underside of tables and Ottomans, they include the little manufacturing label in full 4k resolution and it's all there.

And then they just share those assets around and then they remake everything one for one.

So it's like this feeling of like,

if that could be leveraged that's incredible and there's like such an intense focus and it's so maybe not professional in etiquette but so incredibly meticulous and professional in in the production quality and i see that constantly but like that's not something that you can just kind of inject uh

by asking for it it's something that kind of has to grow incidentally and so maybe there'll be a way to you know lean on some of that in the future i really enjoy working with people who are obsessed with what they do um and and we did have a lot of that on this film but but i think you know it is such a diversified diversified project that um you know there's certainly places where

it is hard.

I'm working on this, this, and this.

And so this one thing maybe doesn't get the same level of like obsessive detail baked into it.

And, and on YouTube, that would be fine because I can just take as much time as I need and I can go do that.

And I think it's partially the time factor that I run up against on this film.

And then I'd say also the, you know,

the way, I guess the two other things would be the script, like the way, you know, I was 16 when this script was, well, when this project started and then, you know, it was a couple of years of making, but like, I don't think that I had the most creative leverage at the very start of this project.

And I think it grew with time.

So I think there's certainly ways in which I wish there, like, I think,

I think there are choices that I wish we could have spent more time deliberating over in the early phases before we just wanted to try to, uh, you know, it was greenlit, I think, I think at a time when could have benefited from a bit more like analysis and going back and forth a bit more, um, which is all stuff we did while we were in prep and while we were going through the film.

Um, so I think it was that, and then I would say it's just generally, and this isn't a restraint, this is actually liberating, um, in some ways, but like,

the difference between YouTube as the medium or as the place where people are going to go view it and then going to a theater and viewing it on, on, on a projector screen is going to obviously change so much of how people are perceiving it.

The fact that this is a large budget production versus something that they just clicked on a YouTube channel to find is mentally doing a lot of lifting in different directions for people.

And I actually find that to be like one of the most interesting sort of paint brushes available to like choose the medium.

And I,