Kane Parsons

I think you have to pick... I think Backrooms was tricky because it took a lot of work to bend certain elements to make sure it was constantly working for this other direction.

For a 90-minute film, I think a television series is always where it's kind of made the most sense to drift to.

I mean, I've said that from the beginning, but I think that...

I think it's more effective.

I think it's more effective for that.

I think what I'm speaking to is maybe a

distinction between a project like this and there's some projects I've done on YouTube where episodes of this of a given series might be like 10 minute long screen recordings from a video game that was made in 2003 and

And it's like kind of compressed and it's supposed to feel like you're just viewing messy files and you have the freedom to click around and download files from the description and there's like metadata in the file.

So like ARG stuff really.

And so it's just a medium switch there where I think things are framed a little bit better there.

And if you tried to throw those onto a theater screen, I think they...

I think honestly, maybe, maybe I don't know, maybe this is just somewhat uncharted territory and maybe the next thing I should do is literally just try to see how scalable some of those things that seem unscalable are.

Cause if they're not, I mean, or if they are scalable, then, um,

And that'd be pretty cool.

There's some stuff to be done with that, I think.

I feel...

I feel close to it.

I don't feel particularly like, well, I guess I feel, I feel very looped in.

I am checking and, and, you know, I, I despise Twitter.

I do not enjoy using Twitter in the slightest.