Kate Flannery

So I did not do the first episode, but I did every other one.

So I did not do the first episode, but I did every other one.

And it's so odd because, yeah, it's just odd because they actually asked us to bring paperwork and to look busy at our desk season one. And, you know, I thought that was such a cool idea. Yes. So that when the camera catches you, you're not like suddenly working. You know, you're actually still in progress, in process. Yeah. Uh, and so it did, uh, have that documentary feel from the start.

And it's so odd because, yeah, it's just odd because they actually asked us to bring paperwork and to look busy at our desk season one. And, you know, I thought that was such a cool idea. Yes. So that when the camera catches you, you're not like suddenly working. You know, you're actually still in progress, in process. Yeah. Uh, and so it did, uh, have that documentary feel from the start.

And it's so odd because, yeah, it's just odd because they actually asked us to bring paperwork and to look busy at our desk season one. And, you know, I thought that was such a cool idea. Yes. So that when the camera catches you, you're not like suddenly working. You know, you're actually still in progress, in process. Yeah. Uh, and so it did, uh, have that documentary feel from the start.

So, you know, as an ensemble person being from second city, uh, and you know, I, I did Dell closest to prop Olympic for years. I, I worked at the annoying theater. I've worked at a lot of funky theaters and did a lot of stuff where being an ensemble was really the most important part is to, to make sure you're there for everybody else. You're giving everybody else. Yeah.

So, you know, as an ensemble person being from second city, uh, and you know, I, I did Dell closest to prop Olympic for years. I, I worked at the annoying theater. I've worked at a lot of funky theaters and did a lot of stuff where being an ensemble was really the most important part is to, to make sure you're there for everybody else. You're giving everybody else. Yeah.

So, you know, as an ensemble person being from second city, uh, and you know, I, I did Dell closest to prop Olympic for years. I, I worked at the annoying theater. I've worked at a lot of funky theaters and did a lot of stuff where being an ensemble was really the most important part is to, to make sure you're there for everybody else. You're giving everybody else. Yeah.

team player yeah from whether you talk or not you are in there you're in it yeah so i love being a fully actualized character even if you don't speak which i think is the one of the most brilliant things about the office because we all work with people and we all went to school with people and you did not get to know everyone equally well right away sure things were revealed slowly and sometimes there's people you'd be like i didn't know that about or you find out later you're like oh my god i had no idea that that guy's nuts yeah whatever

team player yeah from whether you talk or not you are in there you're in it yeah so i love being a fully actualized character even if you don't speak which i think is the one of the most brilliant things about the office because we all work with people and we all went to school with people and you did not get to know everyone equally well right away sure things were revealed slowly and sometimes there's people you'd be like i didn't know that about or you find out later you're like oh my god i had no idea that that guy's nuts yeah whatever

team player yeah from whether you talk or not you are in there you're in it yeah so i love being a fully actualized character even if you don't speak which i think is the one of the most brilliant things about the office because we all work with people and we all went to school with people and you did not get to know everyone equally well right away sure things were revealed slowly and sometimes there's people you'd be like i didn't know that about or you find out later you're like oh my god i had no idea that that guy's nuts yeah whatever

It's just funny. Creed's insane.

It's just funny. Creed's insane.

It's just funny. Creed's insane.

But our show had a slow, slow reveal and such a great – everything was just well-timed. And even if I didn't speak for episodes, I felt like when I did, it was totally worth the wait. I felt like something wonderful and interesting was revealed and messed up sometimes.

But our show had a slow, slow reveal and such a great – everything was just well-timed. And even if I didn't speak for episodes, I felt like when I did, it was totally worth the wait. I felt like something wonderful and interesting was revealed and messed up sometimes.

But our show had a slow, slow reveal and such a great – everything was just well-timed. And even if I didn't speak for episodes, I felt like when I did, it was totally worth the wait. I felt like something wonderful and interesting was revealed and messed up sometimes.

It's a sense of reality. It's a sense of reality. Yeah, it's awesome. And it's, I just feel like the level of thought and intelligence that was put into every conversation Script, you know, and just having a great cast of great, great directors, great producers, great editors. You just feel like you can't, you know, you're in good hands all the time. You're in good hands.

It's a sense of reality. It's a sense of reality. Yeah, it's awesome. And it's, I just feel like the level of thought and intelligence that was put into every conversation Script, you know, and just having a great cast of great, great directors, great producers, great editors. You just feel like you can't, you know, you're in good hands all the time. You're in good hands.

It's a sense of reality. It's a sense of reality. Yeah, it's awesome. And it's, I just feel like the level of thought and intelligence that was put into every conversation Script, you know, and just having a great cast of great, great directors, great producers, great editors. You just feel like you can't, you know, you're in good hands all the time. You're in good hands.