Kathryn Ferguson

I go through intensive periods where, I mean, I go through intensive periods where I don't say anything because I live here.

I work hard with my child.

But I love, like I went to Venice a few years ago and went to the Biennale.

And that was just extraordinary.

It was so luxurious just to get a couple of days, just taking that all in.

Oh my God, I adored it.

And of course, I go to the shows here and I try to go to shows in London when I can.

But if I was to do a heist of something, I guess an artist whose work I love in every medium is Susan Hiller.

I've been a huge fan of hers for years.

Her video works, her sound works, her amazing photo series, her installations.

So, yeah, if I was to art house anybody, I would love a lot of Susan Hiller in my life.

The other thing I saw recently as a filmmaker that just blew me away was Arthur Jaffa's Love is a Message, A Message is Death.

I saw it last year at the Board of Commerce.

Yeah.

Said in a Belfast accent.

I don't know how you say it.

And I got to watch that in its entirety for the first time.

I'd seen clips of it before.

And I was just absolutely floored, like just sat and wept.

It's just so powerful and devastating and amazing.