Kathryn Ferguson

And there it was in the middle of this building, which has obviously got its own history and colonial histories attached to it in a bad way.

It was just all of us.

I just find extraordinary and just thought, my God, if I could be or if I could ever make anything as powerful as that particular piece, I'll be a very happy woman.

It's very important for today.

Well, that's one that I loved.

Yeah, I think she did like the moon cycles with her belly was one of them.

It was so cool.

I love her video installations and all of us.

I love all of her work.

Totally.

Ooh, it's always purple.

I don't wear any purple and I don't even buy any purple, but I'm very drawn to purple and maybe it's the, I'm a big lavender fan.

Maybe it keeps my nervous system in check, but I, I like a purple.

I mean, I have really only shot digitally, other than my own scrappy little...

16mm films and Super 8 films when I was at college.

I'd mostly shot digitally.

We did shoot with some 16mm for Nothing Compares, but nostalgia was all film.

Robbie Ryan shot, or insisted on shooting film.

That is how you get Robbie Ryan, is if you'll agree to purely shooting and film.

And it was exhilarating.