Kelsey McKinney

Smooth as eggs, buddy. Jane is like, does that even have time to consider whether she wants to talk to Celeste or not? Because the thing is, you don't have free will with Celeste. Celeste is coming to talk to you. That's just like how she is because she has things to say. Sure. Sure, sure, sure. Girl. Yeah. And Jane is like, yes. Yes and yes. This does not stop Celeste.

Smooth as eggs, buddy. Jane is like, does that even have time to consider whether she wants to talk to Celeste or not? Because the thing is, you don't have free will with Celeste. Celeste is coming to talk to you. That's just like how she is because she has things to say. Sure. Sure, sure, sure. Girl. Yeah. And Jane is like, yes. Yes and yes. This does not stop Celeste.

Celeste is like, yeah, you know, he also, like, demanded that I come get the fig from his house and pay him the original cost of it and that I only have two weeks to do it or he's going to sell it. Okay, that is harsh. Jane is like, I don't care. Yeah. In her heart, she's like, I hate Celeste. I hate this stupid fig. Like, this is not worth my time. She's like, have you talked to Muffy?

Celeste is like, yeah, you know, he also, like, demanded that I come get the fig from his house and pay him the original cost of it and that I only have two weeks to do it or he's going to sell it. Okay, that is harsh. Jane is like, I don't care. Yeah. In her heart, she's like, I hate Celeste. I hate this stupid fig. Like, this is not worth my time. She's like, have you talked to Muffy?

And Celeste is like, no, but trying to talk more about her fig. And Jane is like, goodbye, Celeste.

And Celeste is like, no, but trying to talk more about her fig. And Jane is like, goodbye, Celeste.

And she goes home.

And she goes home.

I don't get it at all. Jane has forgotten all about this conversation. But at the end of two weeks, suddenly there is a big truck in front of her house with a bunch of big, muscly men. And on the back of the truck is the fig on like a pallet. Okay. Okay. It's a comment on gender. Okay. Yes. And Jane is like, oh, my God. I'm going to have to look at this fig all the time.

I don't get it at all. Jane has forgotten all about this conversation. But at the end of two weeks, suddenly there is a big truck in front of her house with a bunch of big, muscly men. And on the back of the truck is the fig on like a pallet. Okay. Okay. It's a comment on gender. Okay. Yes. And Jane is like, oh, my God. I'm going to have to look at this fig all the time.

Forever.

Forever.

Jane is outside. She's watching... This man, you know, greeting the construction workers. He's wearing a hard hat. He has a flip board. He takes the hard hat off and she's like, oh, my God, hot boyfriend. And then hot boyfriend is pointing not at Celeste's yard, but at Muffy's.

Jane is outside. She's watching... This man, you know, greeting the construction workers. He's wearing a hard hat. He has a flip board. He takes the hard hat off and she's like, oh, my God, hot boyfriend. And then hot boyfriend is pointing not at Celeste's yard, but at Muffy's.

Jane is like, this is crazy. She's like, obviously I'm outside. I'm paying attention. I'm eavesdropping. She watches like a forklift, you know, raise the metal fig and start to like drive it toward Muffy's house. And at this point, Celeste comes like running out of her house and she's like, no, no, no, no, no, no, no. You have the wrong house. My house is over there. Uh-huh. Uh-huh.

Jane is like, this is crazy. She's like, obviously I'm outside. I'm paying attention. I'm eavesdropping. She watches like a forklift, you know, raise the metal fig and start to like drive it toward Muffy's house. And at this point, Celeste comes like running out of her house and she's like, no, no, no, no, no, no, no. You have the wrong house. My house is over there. Uh-huh. Uh-huh.

And the construction workers are like, you know, they're like looking at their paper. They're like, well, no, like the address we have is that address. We don't have your address. And Celeste is like, no, no, no, no, no. It's my fig. I picked it out. She's like, you know, rattling off stats like it would be on like a fucking gallery thing where she's like, the artist is this.

And the construction workers are like, you know, they're like looking at their paper. They're like, well, no, like the address we have is that address. We don't have your address. And Celeste is like, no, no, no, no, no. It's my fig. I picked it out. She's like, you know, rattling off stats like it would be on like a fucking gallery thing where she's like, the artist is this.

He was born here this year. These are the dimensions of the fig. Like this is the year it was created. These are the dimensions of the fig. Yeah. The construction workers are like, listen, lady, we don't care about your fig facts. We were hired to drop them off over here. Uh-huh. And then they begin to drive the fig into Muffy's backyard. Muffy bought the figs.

He was born here this year. These are the dimensions of the fig. Like this is the year it was created. These are the dimensions of the fig. Yeah. The construction workers are like, listen, lady, we don't care about your fig facts. We were hired to drop them off over here. Uh-huh. And then they begin to drive the fig into Muffy's backyard. Muffy bought the figs.