Kevin Spacey

get themselves involved because, look, this is what happens to networks. They'd never made a television show before, ever, and then four years later, they were the best. And so then you're going to get suggestions about casting and about writing and about music and scenes.

get themselves involved because, look, this is what happens to networks. They'd never made a television show before, ever, and then four years later, they were the best. And so then you're going to get suggestions about casting and about writing and about music and scenes.

And so there was a considerable amount of pushback that I had to do when they started to get involved in ways that I thought was affecting the quality of the show.

And so there was a considerable amount of pushback that I had to do when they started to get involved in ways that I thought was affecting the quality of the show.

And so there was a considerable amount of pushback that I had to do when they started to get involved in ways that I thought was affecting the quality of the show.

It can happen in different ways. I mean, I remember one argument we had was we had specifically shot a scene so that there would be no score in that scene, so that there was no music. It was just two people talking. And then we end up seeing a cut where they've decided to put music in. And it is against everything that scene's supposed to be about.

It can happen in different ways. I mean, I remember one argument we had was we had specifically shot a scene so that there would be no score in that scene, so that there was no music. It was just two people talking. And then we end up seeing a cut where they've decided to put music in. And it is against everything that scene's supposed to be about.

It can happen in different ways. I mean, I remember one argument we had was we had specifically shot a scene so that there would be no score in that scene, so that there was no music. It was just two people talking. And then we end up seeing a cut where they've decided to put music in. And it is against everything that scene's supposed to be about.

And you have to go and say, guys, this was intentional. We did not want score. And now you've added score because what, you think it's too quiet? You think our audience can't listen to two people talk for two and a half minutes? This show has proved anything. It's proved that people have patience and they're willing to watch an entire season over a weekend.

And you have to go and say, guys, this was intentional. We did not want score. And now you've added score because what, you think it's too quiet? You think our audience can't listen to two people talk for two and a half minutes? This show has proved anything. It's proved that people have patience and they're willing to watch an entire season over a weekend.

And you have to go and say, guys, this was intentional. We did not want score. And now you've added score because what, you think it's too quiet? You think our audience can't listen to two people talk for two and a half minutes? This show has proved anything. It's proved that people have patience and they're willing to watch an entire season over a weekend.

So there are those kind of arguments that can happen. You know, there's different arguments on different levels and they sometimes have to do with, I mean, look, go back to The Godfather. They wanted to fire Pacino because they didn't see anything happening. They saw nothing happening. So they wanted to fire Pacino.

So there are those kind of arguments that can happen. You know, there's different arguments on different levels and they sometimes have to do with, I mean, look, go back to The Godfather. They wanted to fire Pacino because they didn't see anything happening. They saw nothing happening. So they wanted to fire Pacino.

So there are those kind of arguments that can happen. You know, there's different arguments on different levels and they sometimes have to do with, I mean, look, go back to The Godfather. They wanted to fire Pacino because they didn't see anything happening. They saw nothing happening. So they wanted to fire Pacino.

And then finally Coppola thought, I'll shoot the scene where he kills the police commissioner and they'll do that scene now. And that was the first scene where they went, yeah, actually there's something going on there. So Pacino kept the role.

And then finally Coppola thought, I'll shoot the scene where he kills the police commissioner and they'll do that scene now. And that was the first scene where they went, yeah, actually there's something going on there. So Pacino kept the role.

And then finally Coppola thought, I'll shoot the scene where he kills the police commissioner and they'll do that scene now. And that was the first scene where they went, yeah, actually there's something going on there. So Pacino kept the role.

Look, I think that we can't forget that Pacino is also an animal of the theater. You know, he does a lot of plays and he started off doing plays and, you know, movies were, you know, Panic in Needle Park was his first. And yeah, I think there's that period of time when he was doing some incredible parts, incredible movies.

Look, I think that we can't forget that Pacino is also an animal of the theater. You know, he does a lot of plays and he started off doing plays and, you know, movies were, you know, Panic in Needle Park was his first. And yeah, I think there's that period of time when he was doing some incredible parts, incredible movies.

Look, I think that we can't forget that Pacino is also an animal of the theater. You know, he does a lot of plays and he started off doing plays and, you know, movies were, you know, Panic in Needle Park was his first. And yeah, I think there's that period of time when he was doing some incredible parts, incredible movies.