Keza MacDonald

And then Breath of the Wild came out just after I'd had my first baby, which is a big identity crisis moment for a lot of parents, obviously.

And all I did for a year was just hang out with my baby and play Breath of the Wild.

And again, it really just reminded me why I love games.

So yeah, they've all come along at really important times for me, and I've grown up with them, I think.

They're a series that's really important to me.

I mean, this used to be a left-field option.

It's not anymore, but Majora's Mask, I think, is just an exceptional... It's aged so well.

Almost nobody has done that kind of time loop capsule world idea again until really quite recently.

There was a recent wave of time loop games, and I was like, God, it took 20 years for people to have another go at this because Majora's Mask did it so well.

It's so creepy.

It's so eerie.

It feels really meaningful.

I played it again as an adult, and I was like, there is...

gnarly themes in this game.

So Majora's Mask would be the kind of the left field Zelda that I love most.

Zelda has these qualities of myth in that it's roughly the same story and there's elements that are always the same there's always the knight and there's the princess and her knight there's usually Ganondorf there's Hyrule mostly but every Zelda game tells the myth differently

I was actually a bit disappointed when they tried to put Zelda into timelines.

I was like, no, it doesn't have to.

It doesn't have to.

Every single one of them can just have the same elements and the same feelings, but it can just be a different telling of the same sort of myth, but with these common elements.