Kirk Hamilton

And I love—that's the reason I can't get too grumpy about the extended Raccoon City part for anything that I might not love about it, particularly the look of it.

It just kind of looks—Russ Fruschdick described it as looking like Army of Two, which I thought was—

Yes, that being for people who don't know, a 2000s era Xbox 360 game.

It was very much a pinnacle of the brown era of, at the time, next-gen gaming where everything was brown.

And it was just kind of a bombed out city, which is what you're doing.

I can't get too mad at it just because they've got it so dialed in.

And then RE4 Remake is the same way.

The feeling of fluidity where there's always a little bit more time than you think.

The enemies are kind of slowly coming toward you, but you're kind of aware of where they all are.

There's an ability to reload.

And then because I've...

kind of learn how to play them you know I'm a total leg shooter now you want to shoot the enemy in the leg and then do the roundhouse kick or the suplex and then you can learn how to crowd control and clear them out it's so much fun and so kind of I don't know almost like a vampire survivors feeling where it's this fluid management of a crowd and it just they're constantly redesigning the scenario you know

Oh, you're being shot at by mortars.

So like you can't stay in one place for too long.

Or when you hear the mortars incoming, you need to get into cover.

Oh, there's a guy with a chainsaw, you know, but you've got to kill the chainsaw guy.

But once you kill him, the chainsaw is spinning around.

But if you can get to it in time, then you can use it.

And so on.

There are all these different scenarios that they come up with.